HDR Photography
I’m aware that this picture technically contains three bridges, but it is nonetheless an image of the Two Bridges neighborhood just after sunrise. There are so many sunset pictures of New York; I think the dearth of morning shots is correlated with the sleep schedule of the average photographer.
Perhaps it’s the excellent new Rian Johnson movie Knives Out, or perhaps it’s the new HBO adaptation of the His Dark Materials trilogy, but this case full of daggers in Prague Castle put me in mind of Philip Pullman’s The Subtle Knife.
The Paris Catacombs are a story of multigenerational effects: the mining of limestone for Paris’s characteristic buildings, the collapses of buildings into the voids the mining created, the efforts to reinforce the cavities, and ultimately the decades-long project to transfer the remains of six million Parisians to the space. At this point, it has earned the name “Empire of the Dead”.
Grizzly Peak’s high vantage point means that a plethora of Bay Area landmarks can be stacked together in one image: From the faintest shadow of the Farallon Islands beyond the bridge, to the Golden Gate, Alcatraz, the Berkeley Marina, the busy travelers on University Avenue, to the Joint Center of Artificial Photosynthesis atop a hill in Berkeley Lab.
Gaze over an enormous, Western, natural landscape, full of Bob-Ross-esque mountains, full of happy little trees. (Well, mostly happy. Probably not the ones in the areas that have been clear-cut.) HDR techniques make images detailed and unreal and unnatural; wet-plate effects (courtesy Analog Effex Pro 2) make images soft and faded. Using the two together, as in this photo of Mt. Jefferson taken from Mt. Hood, makes for something more supernatural than unnatural.
Decaseconds 