Convertible in the Hills

“All things are transient,” said my scientific collaborator, with just a hint of irony. From up in the hills at Berkeley Lab, where we study the way that light and matter interact, he meant it in three senses:

  • We use “transient absorption spectroscopy” to study the changes in a material after it is exposed to light. The new states we create are transient.
  • The gentle blue-hour conditions of this picture are transient; the light was completely different ten minutes later.
  • Berkeley Lab sits atop the Hayward Fault; a large earthquake could topple the lab at any time.

In the face of all of that transience… Might as well go for a drive.

Convertible in the Hills

Leafy Window to Oakland

My past couple of posts have been images of San Francisco, foregrounded by nature and suburbs—the style I like to call a “civilization gradient”. This image similarly presents downtown Oakland, California, past the hilltop homes and Cal fields of Strawberry Canyon and through the invasive alien leaves of Berkeley Lab’s eucalyptus trees. The HDR processing techniques that Brendan and I use are perfect for settings like this, with an array of light intensities across a broad landscape.

Leafy Window to Oakland

Birdblur

If this week on Decaseconds has had a theme, it has been structures suspended over water at sunset. It has also been a week of long-exposure shots that live up to the site’s title. Hoards of gulls riding on the waves are reduced to weird ghost-blurs in the foreground of the San Francisco Bay Bridge, Yerba Buena, and the Port of Oakland.

Birdblur

Campanile Bars

Beyond Sather Tower’s bars and columns is Telegraph Ave. and the city of Oakland. I never forget that view, but I do somehow always forget the red tiles at the top of the campanile. I guess my brain abstracts away the details, even when they’re a major part of the scene.

Campanile Bars

San Francisco Is Alien

At the moment the sunset sets behind the hills, the sky above San Francisco is still gold, but the massive structures and high-tech vehicles of the city below are activating their illumination machines and preparing for night beneath the marine layer. If the Bay Area is a loose solar system of different worlds, San Francisco must be its cyberpunk crown jewel.

San Francisco Is Alien

Campus, Bay, and City

The view from atop Berkeley’s Campanile is a nostalgic one, with San Francisco and Oakland popping up in the distance above the sprawl. Walking along those broad, slightly cracked, and sun-baked pathways of Berkeley’s campus never quite felt natural, though. Can a place magnified beyond human scale feel that way?

Campus, Bay, and City

Span Aside

This photograph is a double-case of finding interesting details by looking away from the obvious. On one hand, this subtler image was captured opposite an intense sunset over San Francisco. The color palette is heavy with pastels, but accented with a few harsh reds from Oakland in the distance. In the image itself, there’s a tiny building under the right-hand span of the bridge. Seeing something so (let’s say) adorably sized next to something so dominant and enormous makes for a charming contrast.

Span Aside

Golden Gate and Bay in the Rain

I sometimes sift through the RAW files I took long in the past, searching for meaning in images I captured long ago. In the case of this particular photograph, there’s more to the image than just my favorite Bay Area gradient of differing environments (e.g. Oakland and San Francisco and Alcatraz and two different enormous bridges and so on): there’s also a feeling of place and moment. The dramatic clouds and the grasses and the hint of the Golden Gate’s span are all spectacular, but the optics of a raindrop spattered across the lens add just as much to the image. You can practically smell the petrichor in the air.

Golden Gate and Bay in the Rain

Old Modern Shapes

At the dawn of the twentieth century, all was hopeful and “excellent.” When the Bay Bridge opened in 1936, human ingenuity could solve any problem, bridges replaced ferries, cars replaced horses, aircraft would soon replace trains. Now we’re orphans of the future, living in a world when “modernity” is in the past, and epic symbols of the era and its architecture are quickly becoming relics. Though I have no nostalgia for much of the social/cultural mores of the time period, I do find it fascinating to look upon the structures built “for the future” from the standpoint of that future. Perhaps it makes me wonder, just a bit, what we build for our own future now.

Old Modern Shapes

Shattuck Rooftops

Looking south, over the rooftops and streetlights of downtown Berkeley, the high-rise buildings of Oakland and Emeryville are luminescent ghosts in the bay fog. I’ve come back to this photograph again and again—the composition isn’t quite right, the quality is just average, but for some reason I find it inescapable. I can forgive all of its sins (and mine in taking it) for the trajectory of those sodium lamps, arcing gently to the south like some fairy worm.

Shattuck Rooftops

Sunset Over San Francisco, Round I

Grizzly Peak, in the hills above Berkeley, is a great spot to get photos of San Francisco–if the weather cooperates. Though it was a bit foggy on this particular day, it afforded a great chance to see some interesting shadows. San Francisco itself is just visible beneath the sun.

This is also a great instance of just how useful HDR can be, as a technique; sunset images without tone mapping typically require the foreground to be completely silhouetted.

Sunset Over San Francisco I