Boxes on Boxes

The first “real” snowfalls of the winter have arrived in the North Country, and I can’t think of a better time to look back on the never-snow geometries of Berkeley. The architectural possibilities expand when structures will never have to bear the load of a late-winter storm and stairs will never have to be scraped free of ice and snow. I think the design is particularly well-expressed in the boxes-on-boxes-on-boxes design of this building. The best detail, to me, is the sunlight passing in one side and out the other of the corner window on the first floor.

Boxes on Boxes

Golden Gate in Summer

I love finding the little details in epic landscapes that provide the sense of human scale and presence. (It’s a bit like a photographic “Where’s Waldo?”) In the lower center of this image, at the left edge of the Berkeley Marina, you can see light tiny lights of the restaurant where diners look out over the Bay and the sunset.

Golden Gate in Summer

Golden Gate Classic

For the most photographed bridge in the world, I’m always humbled to remember that the Golden Gate Bridge didn’t even exist 100 years ago. Seeing it now, in the bracket of Alcatraz and Marin, I think I understand better why it’s Roman Mars‘s favorite piece of design in the Bay Area.

Golden Gate Classic

Spectroscopy Lab

After spending my entire adult life as a laboratory scientist, the web of gas lines and vacuum pumps and electrical cable seems normal. I do understand, rationally, that all of this looks overwhelming. There’s so much purpose and productivity behind the network, however, that it’s worth the sophistication.

Spectroscopy Lab

Standard Berkeley Street Scenes

The title of today’s post is somewhat sarcastic: there is such an incredible variety of vehicles and homes visible on any Berkeley street that a “standard” is impossible. This Volvo wagon and turreted home both seemed like prime examples of classic Berkeley engineering.

Standard Berkeley Chariot

Standard Berkeley Home

Self-Portraits of a Sabbaticaler

I’m interested in how scientists are depicted in media. They seem to always be in one of two modes. Either smiling at the desk with a screen and board filled with data/equations:

Self-Portrait at Berkeley Lab

Or in the lab, with fancy apparatus and appropriate PPE. This may be real evidence of a sort of dichotomy in the lives of many working scientific professionals: some of the time is spent at a desk, doing the sort of email-answering/paperwork-submitting tasks that are common to many fields, but the rest of the time is spent in a more technical setting. I’d really like to see a broader view of how scientists spend their time. Could the whole breadth of the approach be captured in a single image, like some elaborate Baroque painting?

Sabbaticaler