Livestock of the North Country are, well, lively, even in winter. The shaggy coat and the bright sky must help. On a night with a sunset like this one, I share the llama’s need to go out and investigate.
Tag: photography
Riding a Horse in Town
Warm weather and buzzing insects on a June afternoon are perhaps a distant memory come February; they feel as alien now as this pony and rider walking down the street of Genessee Country Village did. There’s an almost-juxtaposition there.
Summer Sunrise on Rainier Tower
Sunlight of late summer maneuvers through the Seattle skyline, and I can’t help but enjoy the way reflections and the impossible geometry (one of my favorite clichés) of Rainier Tower’s slender base stand out among the more “traditional” shapes of the surroundings buildings.
El Cerrito to the Campanile
In this image, my entire walk to work during graduate school is captured and arrayed. The go-to-work route of my co-editor is also hidden in the farther reaches of this picture (with the far-off Albany Hill marking its start). That hill is interesting in part because it used to have several similar siblings in the area that ere dynamited down to make room for more housing. Being a primarily landscape photographer, I’ve always liked the relationship between physical spaces and memories—and the ways the two can shift together over time. The connection of photography and memory, and the effect of going back to old photos, has been a growing interest of mine. (I articulated my general feelings in this post from 2014.)
The Balloon Operator
This cowboy of the sky is complete with mustache, wide-brimmed hat, and rugged gloves. This sunny September afternoon was the perfect time for aeronautics; today, not so much.
Interlocked Structure
The odd angles and extended shapes of the Seattle Public Library make a lot more sense when they interlock with the silhouettes of adjacent buildings. The more I learn about the structure, the more I want to know.
Tree Rivals the Steeple
Snow levels and re-makes the world, if only for a short time. My sense of scale decouples slightly from reality; though I know that the chapel is far taller than any form, man-made or otherwise, on St. Lawrence’s campus, I can’t help but imagine these trees stretching to impossible heights.
End View
At the far end of Johnson Hall, a tower of windows overlook the very pleasing shape of the circle in the setting sun. Leaning back in the chair, feet up, a glass of hot chocolate in hand: what better way to watch the day end?
Winter Moon and Lights
Stark winter nights, the kind with a handful of clouds and a lot of bright stars, seem to be when I spend the most time shoveling my driveway. Might as well do a long exposure or two while I work, right? I particularly like the tree in the center of the image that has been completely lit by the adjacent streetlight: it seems otherworldly and special when compared to the other silhouetted trees.
Snow Storm in the Backyard
Snow was falling last night. The small houses with highly peaked roofs and additions out back are a characteristic of this part of town, where the mill workers once lived. The wood sheds are another notable characteristic of an area where many people use only wood stoves to heat their homes in the winter.
Print Rollin’
When the time came to make the really big prints in Prof. Melissa Schulenberg’s Advanced Printmaking course at St. Lawrence University, only a steam roller had significant- and even-enough pressure to produce the best result. The breezy afternoon, the green foliage, and the bright yellow steam roller on a placid college campus makes for one serious juxtaposition in the middle of winter.
Golden Wedding
St. Lawrence University’s Herring-Cole Grove (a.k.a. the “Enchanted Forest”) in autumn is flush with golden leaves that carpet the ground and frame the sky; this makes the perfect compliment to the Gunnison Memorial Chapel from which these two just exited. I can’t help but be grandiose when remembering a day like this one.
Indoor Ring with Hay
When the weather outside is frightful (pardon the cliché), an indoor ring is good for two very important duties: (1) keeping the hay dry to feed the horses and (2) riding. This photograph has symmetry highlighted by the very bright windows; when a very bright light source shines through a lens (and it’s particularly noticeable with this prime lens), it creates an image of itself on the inverse side of the center of the image. In this particular case, that inverted image appears over the pony, indicating that the pony is across the inversion point from the window.
The Bride at the Reception
This fall, I photographed my first wedding. When the wedding ceremony has finished, and the speeches had been made, the reception/party got into full swing. I’m particularly charmed by the way the flash lights up both the bride’s dress and the label of the Champagne in a room otherwise dominated by warm, earthy colors.
Winter Street
Photographs with late-model cars and trucks have always been an odd challenge to my photography; they tend to appear as ugly, pedestrian chunks that I try to avoid in otherwise charming scenes. (The world has enough documentation of Toyota Corollas and Ford F-150s.) However, when I look back on old photographs from the mid-twentieth century, it’s inevitably the cars and the clothes of the past that are the most charming aspects. The common-car-filled images that I capture in the present must be a sort of investment; the boring cars of today will make this image a classic document of everyday life in 30 years.
Decaseconds 