HDR Photography
I’m on a roll with Datsuns lately. The crash protection and the reliability of a modern car may not be there, but what a face! Particularly when sitting on wider-than-stock tires and hiding out on some side street in Berkeley, this car has the potential for fun.
Central Park is a classic—a place of almost incalculable value to literally millions of people. In that sense, it’s really surreal to find that there’s ever an empty place in it. Sunset on a windy, freezing night night is evidently the time.
Nothing like Nik’s Analog pseudo-vintage photoprocessing to produce the maximally creepy image. This particular lamp at St. Lawrence, ensconced in the boughs of a maple tree, creates the best patters at night. The tendrils extending from a central bulb remind me of the structure of a neuron.
Road tripping across America an experience both dramatic and (in the age of Interstate highways) mundane. When I made this trip three years ago, I documented it in a photoessay. Traveling the reverse direction, from the sprawl of the East Coast to the wide-open West, has been a more dramatic experience. The downside? Making the trip at the Winter Solstice has meant much less time each day for capturing the experience.
Portraits in the style of intense indie rock album art have always been a favorite of mine. Evergreen branches and melting snow start the package, but it’s the tiny details in the far-off Mohonk Mountain House that really complete the mysterious setting.
Decaseconds turns five years old just about this week, and today I’m turning 30. “Now” is a good time to think about age and the passage of time, I suppose, but I’d rather focus on something else: achievement. We’ve gotten a lot done in the past years—and there’s a lot more to come. Looking back on my early photographs on places like Berkeley’s Campanile, I can see all of the steps that led me to now. On to the next year!
The intersection of Hearst and Euclid was an everyday sight (and site for lunch) during graduate school. Just as daytime settings become otherworldly by night, chronological distance from those days have made the setting alien and exciting. How could this place ever have seemed normal?
Spending an afternoon on the pier in Pacifica, CA is as good a time as any. Crab fishing has its varied sets of tools and techniques, but the experience to me has been about more than that. Cooking on a portable hibachi and getting crusty with salt spray is the real core of the process.
Looking back on some of my earliest shots of the California coastline this evening: Light-leaked soft blues and golds are the colors. Is the soundtrack the jangle of surf music guitars or just the crashing of waves?
Decaseconds 
