Though not the building’s official name, I think “snakeskin” is the correct way to describe the tile pattern on the side of this new addition to Portland’s Pearl District.
Coastal Farms
Boxes on Boxes
The first “real” snowfalls of the winter have arrived in the North Country, and I can’t think of a better time to look back on the never-snow geometries of Berkeley. The architectural possibilities expand when structures will never have to bear the load of a late-winter storm and stairs will never have to be scraped free of ice and snow. I think the design is particularly well-expressed in the boxes-on-boxes-on-boxes design of this building. The best detail, to me, is the sunlight passing in one side and out the other of the corner window on the first floor.
Golden Gate in Summer
I love finding the little details in epic landscapes that provide the sense of human scale and presence. (It’s a bit like a photographic “Where’s Waldo?”) In the lower center of this image, at the left edge of the Berkeley Marina, you can see light tiny lights of the restaurant where diners look out over the Bay and the sunset.
Happy Thanksgiving: Out for a Stroll
Behold, Shasta!
Hanging Out
Golden Gate Classic
For the most photographed bridge in the world, I’m always humbled to remember that the Golden Gate Bridge didn’t even exist 100 years ago. Seeing it now, in the bracket of Alcatraz and Marin, I think I understand better why it’s Roman Mars‘s favorite piece of design in the Bay Area.
Island Gradient
There’s this perfect moment during a summer sunset in the Bay Area, as darkness falls and the flawless gradient fades through oranges to purples, when the lights haven’t quite come on yet. Marin is dark, Angel Island is silhouetted, and the world is seems to revert to an uninhabited state.
Tree Lined
Telegraph Ave.
Telegraph connects Oakland and Berkeley (and is a pretty good Michael Chabon book, too.)
Fall in Effect
Blade Running the Port of Oakland
The Bay Area is already the setting for numerous cyberpunk adventures (like William Gibson’s classic Virtual Light—ironically set on the now-dismantled Bay Bridge in the “future” of 2006); applying a little Blade Runner grime to the present-day Port of Oakland and the towers across the Bay seems very appropriate.














