HDR Photography
The marine layer rolls in to blanket San Francisco in damp cold during summer evenings. My favorite part of this image is the way the Bay Bridge and the bayside buildings are highlighted by that rolling cloud bank. In just a few minutes more, the whole city was covered.
Cityscapes function best with depth: layers of structures and pathways for the eye. The Bay Area view from Grizzly Peak was one of the earliest cityscapes I experimented with photographing. In those early times, it was Berkeley and San Francisco in the distance that most interested me; after my sabbatical at Berkeley Lab, the winding roads where I rode the bus to work and the bright shapes of the Molecular Foundry and JCAP in the foreground hold my interest far more. I enjoy the way in which subsequent experiences can retroactively shift the meaning in an image.
After a week doing science on a hilltop, I would sometimes sneak out of work just a minute early* and head across the Bay to Tiburon to watch the Corinthian Yacht Club’s Friday night sailboat racing. The lack of spinnakers implies to me that it’s a pretty friendly race, but it’s nonetheless a great way to end the workweek.
*Though early by my standards is “regular” to most folks, I suspect.
Grizzly Peak’s superhuman view of the Bay Area seems so inaccessible; that we could drive there (albeit on steep, winding roads) is surreal. The alignment of mundane cars along the ridge seems like a different phase of matter from the glowing roads and epic accomplishments of civil engineering below. I suspect that those mundane cars will become a lot more interesting when I look back at this picture in 30 years.
Grizzly Peak’s high vantage point means that a plethora of Bay Area landmarks can be stacked together in one image: From the faintest shadow of the Farallon Islands beyond the bridge, to the Golden Gate, Alcatraz, the Berkeley Marina, the busy travelers on University Avenue, to the Joint Center of Artificial Photosynthesis atop a hill in Berkeley Lab.
Though photographing San Francisco became an everyday occurrence during my time on sabbatical at Berkeley Lab, I knew even then that it wouldn’t last. Back in New York, the trivial has again become (practically) impossible. This is the last picture that I took, just before I left California on another transcontinental drive.
During sabbatical, I posted a lot of views like the one below: A dramatic dusk view of Berkeley and San Francisco from Berkeley Lab’s Building 62, where I spent my days doing renewable energy research. Ending a productive day, I’d step out onto the balcony a 30-second walk down the hall from my office to find these views readily available (when the marine layer didn’t intervene).
But to my memory, I’ve posted few shots of that balcony that was so integral to the sabbatical experience. Circling around to the adjacent Molecular Foundry, I took this image that (in the top left) shows that small balcony (with sun conveniently reflecting), as well as some of the lab infrastructure around in it. In the foreground is the liquid nitrogen storage tank for the foundry with its radiator covered in ice.
The (distorted) ring of the Bay Area, with “impassable” hills along the edge and “empty” water in the middle, reminds me of the ring-shaped space stations of science fiction. The strangeness of the Bay only adds to the perception of visiting an alien planet.
Even in one of the most expensive real estate markets in the world, there has to be a place to store the equipment that makes everything run. In the foreground of this view from Berkeley Lab’s Building 62 are the shipping containers and assorted equipment used by the physical plant to keep the lab running. I’ve always found the contradiction—using very expensive land to store mundane objects—to be an engaging one. Of course, if all of the land were employed for its “valuable” use and the practical aspects were neglected, the result would be that the land would cease to be valuable.
Happy New Year!
As a celebration of 2018, I wanted to show a large set of the street photography images I took while in San Francisco for my 2017 sabbatical. That seems to be a fitting way to look back on the year that has passed.
Sailing San Francisco looks like perfection on a warm evening like this one.
Students from Berkeley’s campus climb as high up the hill as they can to watch the sunset behind San Francisco and the Golden Gate, but the barbed wire fence of the Department of Energy National Lab makes for a cut-off point. Far on the other side is Grizzly Peak: another great view, but one without the immediacy of this particular spot. Inside the perimeter of the lab, I had the opportunity to experience a set of perspectives both scientific and literal that are beyond the scope of everyday Berkeley life.
Behind San Francisco are clouds both natural (horizontal) and the product of human craft (the vertical spiral).
With the weather above clear, midday in the bay is a nearly shadowless moment of odd geometry. It almost looks like a rendering from a computer simulation where the artist was uninterested in spending the time to model the shadows.
The retrofuturistic shape of the Transamerica Pyramid emerging from the more traditional architecture of San Francisco is one of my favorite photography subjects. When will this Star Destroyer finally lift off from its docking station in the Bay Area?
Decaseconds 