HDR Photography
I love finding the little details in epic landscapes that provide the sense of human scale and presence. (It’s a bit like a photographic “Where’s Waldo?”) In the lower center of this image, at the left edge of the Berkeley Marina, you can see light tiny lights of the restaurant where diners look out over the Bay and the sunset.
For the most photographed bridge in the world, I’m always humbled to remember that the Golden Gate Bridge didn’t even exist 100 years ago. Seeing it now, in the bracket of Alcatraz and Marin, I think I understand better why it’s Roman Mars‘s favorite piece of design in the Bay Area.
There’s this perfect moment during a summer sunset in the Bay Area, as darkness falls and the flawless gradient fades through oranges to purples, when the lights haven’t quite come on yet. Marin is dark, Angel Island is silhouetted, and the world is seems to revert to an uninhabited state.
I never went to summer camp as a child, but I have to imagine that the experience was a bit like sabbatical in the Bay Area: Warm days spent on rewarding activities in a beautiful place.
Beautiful San Francisco and its changing, growing skyline are the site of some incredible sunsets. This image from earlier in the spring features a sunset of mostly naturally induced colors, but the fires threatening the Bay Area at the moment are producing a much more intense set of hues.
Racing sailboats on San Francisco Bay is the sort of upper-class pastime that seems perfectly suited for a flawless blue evening in late spring. Placid water meets busy city meets bright sails.
No offense to Salesforce, but the rainbow sunset reflections off the curved surface of their tower seem to fit much better with a building named “Transbay Tower”—particularly when it sits on the skyline near the Transamerica Pyramid. The darkened and humble shape of Alcatraz in the foreground makes for an appropriate memento mori to San Francisco’s grand architecture.
California summer: Blue skies (no clouds), dry grass.
California winter: Complicated skies (crazy clouds), lush grass.
Looking across the verdant hills of Berkeley Lab to San Francisco, it’s not hard to see why I prefer the winter months in California.
Alcatraz remains an icon of twentieth-century America. With a 500 mm lens and a view from Berkeley Lab, I was able to arrange the island with Golden Gate Bridge behind it (but not overlapping).
This is also part of my ongoing experiments, of late, trying postprocessing techniques that produce dramatic (if a bit less photorealistic) results.
Back in New York, my memories of sabbatical in California have already taken on the golden nostalgia hues of the past. If not for the photographic evidence to the contrary, I might wonder if I’d dreamed the whole thing.
This is the blue hour; sunset is over. That soft, rosy hue in the far-off sky? The product of 100% anthropogenic light.
My time on sabbatical in Berkeley, California ends tomorrow. This has been an incredible experience (scientifically, photographically, and personally); looking out from Grizzly Peak’s incredible view, I feel like everything has aligned properly. Just as was the case last time I left, this grand view of the Bay Area is one I want to remember.
Until next time, California!
My favorite cities are those with borders artificially constrained by water (like San Francisco, Hong Kong, or Manhattan), usually leading to towering structures and high density. San Francisco’s situation was different for a long time; a subset of NIMBY residents (alongside an array of other economic factors) meant that this grid of smaller buildings persists, in spite of housing shortages and corresponding high housing prices. As this slowly changes and the city begins to warm to the idea of new development, this uniform grid of little buildings might someday shift.
Above the city are layers on layers of different air, varying in composition, temperature, and thus density. At sunset, that makes for lots of scattering and color.
This image resulted from the process of demonstrating color filters to my coworker. Colors, with black and white? Of course! The rich, dark sky and bright foreground in this picture result from (digitally) applying a red filter. My favorite part of that now-visible foreground is the large Chevrolet pickup, shoehorned into a parking space on a narrow San Francisco street.
Decaseconds 