HDR Photography
When the weather outside is frightful, go to Florida! With sunrises like this to greet me, I might never leave.
There is something enormously satisfying about the moments when a great shot comes directly to me—no setup, no searching, no prep. I looked outside, the scene was beautiful, and all I had to do was compose and shoot. The “easy” feelings keep coming in Florida: I don’t have to shovel any snow, either.
In the past week, I’ve explored the Adirondacks in autumn. This particular setting (just across the street from last week’s sea plane) is another irreducible representation of the glassy water, expansive sky, and intimate beaches of the region. Though we’re officially into fall, I’m pretty confident that these canoes and kayaks are going to see at least a few more weeks’ use. (Will they be dodging icebergs eventually?)
Ready to launch those kayaks and disturb the chilly mirror of a fall river in the Adirondacks? Me, neither. (Too cold and too placid.)
A peaceful, easy moment.
The Ottawa Convention Centre’s fantastical facade of fenestration is a lovely example of the way a pattern of triangles can be assembled to form all sorts of other surfaces with complicated geometries. From the standpoint of symmetry and group theory, it’s quite elegant; from the standpoint of a passer-by on the street, it seems a bit sinister.
One of the forks of Strawberry Creek running through UC Berkeley’s campus.
Sculpture installation in the reflecting pool on the Hearst mining circle on UC Berkeley’s campus.
Today’s post comes courtesy of Piper J. Klemm:
Winter crisps and desaturates the landscape, and draws the eye from the Northeast to places more southern, where I wonder if, “the grass is greener on the other side.” That might sometimes be an illusion, but then there are cases like this one: the grass is literally greener on the other side.
I’ll sneak in one more unscheduled weekend post with this photograph from St. Lawrence University’s Avenue of the Elms. Some fall afternoons are so perfect that they must be shared.
The water practically glows with reflected light. The buildings tower over the scene. The long exposure captures the trails of aircraft in the night sky. San Francisco’s waterfront along the Embarcadero may not have the most enormous and prestigious structures, but nights like this make that irrelevant. The scene makes “enigmatic” and “cyberpunky” into something almost friendly. (Or at least inviting.)
High atop it all is that fascinating golden penthouse structure. The visual similarity to a treasure chest must be more than coincidence.
One of things I remember most about growing up where I did was the view of the moon’s light reflecting off of Puget Sound. On particularly calm and clear nights the moon’s reflection will be particularly clear, almost like there are two moons. It was a little cloudy on this particular night but it was still a spectacular sight; it almost looks like a painting.
I find 1:1 aspect ratio photographs to be some of the coolest, but taking them still challenges me. This particular image was taken in Palm Desert at HITS Thermal, and as you might expect, that means that this is the side of a horse trailer. The way the chrome distorts the other trailers and the bright sunlight makes curves on the ground made it worth trying 1:1 here.
On the same day that I took this photograph, I found this awesome, half-frozen pond in the back of the forrest preserve. Though the sun was setting and the clouds were already picking up an orange-pink color, from this angle only the bluest parts of the sky were reflected. It had been above freezing for a couple of days, and the ice had melted to the point that it comprised two or three different textures. The brightness of those colors and the variations in the pond’s surface made for a nice contrast with the dormant and dead plants surrounding it.
Decaseconds 