HDR Photography
We recently spent an evening by the Columbus Convention Center. As I explored the neighborhood, I was struck by the combinations of tiny, earlier buildings (lik the wee gray one in the center) and new, shiny, modern behemoths. Columbus seems to be in the process of figuring out if it wants to be Pittsburgh or Cleveland.
The grassy, rolling, limestone-based Kentucky countryside looks too perfect. Precise fencing geometries and gently rippling ponds are just too much. I’m reminded of the famous Microsoft Windows XP default wallpaper, “Bliss.” The key to making both images work, I think, is an overall very clean image with just enough small details and imperfections at the edges to show you that it must be real.
Pony Finals at the Kentucky Horse Park in Lexington, Kentucky make for excellent people-watching. Designer Charles Ancona’s preferred mode of transportation is his color-coordinated Ducati Monster.
Come for a taste of Bourbon among the aging casks. Woodford Reserve is a tasty whiskey.
I know the clichés about whiskey and fire in a bottle, but this is just ridiculous. (From a recent trip with my co-author to Woodford in Kentucky.)
At the Kentucky Horse Park, the Kentucky Summer Classic has wound down and Pony Finals are about to begin. This particular arrangements of trainers, riders, and well-wishers was arrayed at the the warm-up ring, and the gradient of shadows beneath the tree branches brought to mind some modern take on a Renaissance painting: linear, repeating patterns and strong, horizontal lines.
When the water level rises in Stone Valley, the landscape gets odd, and impossible islands form where there were once minor changes in the landscape.
The water rushes through ferns and tree-roots and creates barriers in the landscape that redefine hiking for the day.
Sunset after an aggressive summer thunderstorm is a strange place of pinks and blues.
Our recent trip across Lake Champlain to Burlington, Vermont with the Mini (you can see it hiding in the bottom-right corner) included time on the ferry behind these four motorcyclists from Quebec. That medley of Ducati, Honda, KTM, and Harley-Davison, set against the backdrop of far-off sailboats and mountains, makes for a strong “adventure trip” vibe.
On this through-arch bridge going into Canton from the Adirondacks, I used the Brenizer Method to make a super-wide, narrow-depth-of-field image that brings to mind some slightly sinister movie scene.
This image from inside Herring-Cole Hall at St. Lawrence University reminds me of the ending of 2001: A Space Odyssey: All bright white surfaces and traditional motifs, but with a shape, geometry, and brightness that doesn’t seem quite of this Earth.
Backing up from grand views of public spaces in modern, urban settings, I present some photographs of small yet appealing shapes from a recent hike. I like the way these stones have carved pillars beneath them where erosion was prevented.
The living things make their own little shapes in Stone Valley, too. The moss hasn’t grown as much in the shadow of the mushroom.
In preparation for my upcoming travels to the West Coast next month, I was looking back at the images of Portland, Oregon’s Pearl District. It seems representative of some of the common features of West Coast cities: newer architecture that incorporates a mixture of scales (human vs. superhuman), modern interpretations of some more traditional forms (like the bridge, which resembles a traditional Japanese zig-zag bridge), and a generally utopian, “city of the future!” vibe.
Perhaps no scene better emphasized the sometimes-contradictory nature of a growing city than this one: a yoga class in a sunny park on a summer afternoon, across the street from a shadowed construction site. Juxtapositions are rarely so literal.
I occasionally play with self-portraiture, but I almost always shoot with natural light. I was inspired by this shot to try some super-stark and very dramatic lighting. I’m quite happy with the way the point-source LED lighting from my cell phone created the tiny sparkle to my eye. If I were a more poetic person, I’d say something about the glint of an idea forming.
These images are from the Genessee Country Village and Museum, which recreates some of the aspects of nineteenth-century American life. I thought that a bit of black and white photography (with an HDR touch) could be the perfect tool to convey the moment-out-of-time aspect. Here, a balloon is ready for launch.
The old buildings have a smallness to them that I appreciated: the distance between stories was not so large, and they feel on more of a human scale.
Decaseconds 