Grasse River in Town

The North Country has rough, glacier-hewn landscapes and a culture of independence. How this area is understood and depicted is often a matter of choice on the part of the photographer. Case in point: the path of the Grasse River, on its way to the the St. Lawrence Seaway. Look at all that beautiful early-spring nature!

Grasse River in Town I

But cropping can deceive: if I pan the camera to the right, you see a much different image. The Grasse River travels through downtown Canton, past parking lots and apartment complexes. I think I might prefer the more honest juxtaposition.

Grasse River in Town II

Cliffs at La Jolla Shores

La Jolla Shores is a righteous beach: good swimming, okay surfing (I’m told), and excellent Southern California sights. As mid-twentieth-century architecture has grown on me, I’ve even come to appreciate the homes and UC buildings overlooking the beach—but what must it have been like to visit here 100 years ago?

Cliffs at La Jolla Shores

World Bridge North Country

This Adirondack-y bridge connects SUNY Canton’s campus to town across a branch of the Grasse River. The photograph is a metaphor for the college experience: being a little apart from the regular world, in a place that’s just a bit magical. On one side of the bridge are normal houses, normal roads, normal life; across the bridge is a gently lit path through the woods. Very Rivendell-esque?

World Bridge North Country

Weekend Special: Lampson

Summer hit the North Country like a truck, ricocheting us from frosty mornings to hyperdense afternoons in the space of a single week. Out in nature, the volatile organic compounds are thick on the breeze. Even the sky is bluer. Above Lampson Falls, everything is placid.

Lampson I

Camping on the beach beneath the falls is grand—though less so when a thunderstorm is right around the corner. The beach shows evidence of the water readily rising.

Lampson II

Behold, Mt. Jefferson!

Gaze over an enormous, Western, natural landscape, full of Bob-Ross-esque mountains, full of happy little trees. (Well, mostly happy. Probably not the ones in the areas that have been clear-cut.) HDR techniques make images detailed and unreal and unnatural; wet-plate effects (courtesy Analog Effex Pro 2) make images soft and faded. Using the two together, as in this photo of Mt. Jefferson taken from Mt. Hood, makes for something more supernatural than unnatural.

Behold, Mt. Jefferson

ADK Autumn

Students bring energy and excitement to my world, so there’s no more exciting time of the year than the start of fall. Though the school year has just ended and summer is beginning, I’m already looking forward to the next season. I live in some bizarro-world version of what I remember experiencing as a boy, when I awaited the start of summer and dreaded the return of the school year.

ADK Autumn

Photonic Air Burst

Too early in the evening and too high in the sky to be a standard sunset: this must be some serious sci-fi gridfire weaponry. The patterns in the Crepuscular rays puts me in mind of MIRV tests, and the scale of the clouds so thoroughly dwarfs the buildings beneath it on the banks of the Hudson River. Connecting spectacular aerial views with apocalyptic power is nothing new, but the twentieth century swapped the power source from divine to human.

Photonic Air Burst

Fusion Ball

That Newtonian worldview (one of cause and effect, of a Universe that is fundamentally understandable), so often criticized as unromantic and clinical, makes this setting transform: where there was once a bucolic sunset over empty fields, there is now a repeating pattern of polymerized sugars on an iron-cored planet, gravitationally bound to a thermonuclear fireball. Isn’t that cooler?

Fusion Ball