Fishing at Picchetti Ranch

Hiking in the hills of Picchetti Ranch in Cupertino, views over Stevens Creek Reservoir and the Bay beyond present a classic Californian landscape. Like a postcard from the mid-twentieth century, the little shape of a kayaking fisherman in the foreground (or the people fishing at the shoreline in the background) shows an ideal Saturday afternoon.

Fishing at Picchetti Ranch

Trucks in Their Respective Expanses

Hundreds of miles apart from each other, I happened upon these two images of vehicles, paired with their owners, otherwise alone in an expanse of western America. On a clear day, the yellow pickup in the image below is almost lost in the brush.

Truck in the Expanse

By comparison, this Nevadan Jeep stands out amid the dusting of snow and descending clouds. Even its driver is farther away. The setting is so perfect that it might as well be a Wrangler advertisement.

Jeep + Snow

Wyoming Wides

Along Interstate 80, stretches of winter Wyoming are wide and barren like I wouldn’t have believed.

Wyoming Setting

In a few stretches, mountains or wind farms crop up in the distance.

Wind Farm

But it’s perhaps this image of an orange house, like something from a mid-twentieth-century landscape painting, that best captures the experience.

Wyoming Orange

American Balmoral

The American West appears in the hills beyond Malibu, California: Small communities connected by winding roads in the shadow of Castro Crest. Visiting Balmoral Farm nearby, I compared (in my mind) with Scotland’s Balmoral Castle and was struck by the degree to which America (mostly) has titanic landscapes in place of castles. What is the attraction to tall formations of stone, and does that change when they’re human-made?

American Balmoral

(Side note: I like that this looks like a picture from the past, but I love even more than the effect is ruined by a house with solar panels on its roof. Can you find it? Click through to the Flickr page for the 57 MP original panorama.)

Dark Island

Much of the Bay Area, packed densely with people, perforates with light-emitting devices after sunset. When a volume avoids that, there’s a story and an active effort by conservationists behind it. At either extreme of this picture, Albany and Marin fall clearly into light-emitting category. In between, however, are special spaces: the Albany Bulb in the foreground and the Brooks Island Regional Preserve (the titular island).

Dark Island