HDR Photography
The steep-roofed Belgian structure in the distance (now T’ile Maines) is a relaxing venue on a Belgian island in Mechelen, but a foggy winter evening makes it look more like the sorts of charming/mysterious structures that populate the works of Roald Dahl and Hayao Miyazaki.
A classic Porsche in front of a classic New England clapboard home on Martha’s Vineyard looked so much like something out of a circa-1990’s Ralph Lauren or J.Crew catalog that I just had to rock some color grading to complete the editorial effect. Now where’s the tall man with the chunky sweater?
Tiny details of docks and homes and lighthouses against the grand scope of a late-autumn Martha’s Vineyard coastline make this a image for which I would really encourage you to click through to the full-sized version on Flickr.
Down every Dublin alley is another fascinating vignette. These tiny structures, differentiated from their neighbors by their paint, are yet another example.
While most of Oscar Wilde’s family home in Dublin is of a fairly traditional architecture of the era, the bright solarium on the second floor seems like quite the outlier. I like the perspective lines converging to Piper, watching from the doorway.
Our July/August home-away-from-home in Kentucky is a farm cottage on a tiny, quiet country road… Well, quiet most nights. On this particular evening, a concert had just let out at the vineyard across the road and a sudden blast of vehicles added some passers-by to our neighborhood.
Uprooted, performing in a private residence. As David Crosby said on “4-Way Street”: “This is wooden music again, so you gotta be cool, otherwise you won’t hear it.” In this setting, acoustic instruments were paired with a wooden structure.
I photographed the small clearings around homes in the hills of Park City, Utah, but that wasn’t the case for every structure. In this case, only the metal roof and chimney are visible above the pines. That’s a cozy contrast to the more populous valley in the background.
Thick forests carpet the hills of Utah, except where they don’t. In many of those little clearings, a human-made structure is visible. The cabin in the foreground clearing looks particularly inviting.
Our time at Kentucky Horse Park events, and by extension at this charming cottage, has come to an end. We’re New York bound!
Photographing landscapes and structures (and being the son of civil engineers), I’ve become a bit of an architecture fanboy. The trend towards building with shipping containers, whether a do-it-yourself effort or a pre-fab corporate approach, seems particularly exciting. This weekend, I encountered this in-construction house built from three forty-foot intermodal containers. The owners added sloped roof, a permanent foundation, and windows and doors outside, but they liked the shipping container aesthetic and plan to keep all of the original paint and labeling outside. I find that look charmingly authentic.
Inside, however, there’s little hint of the structure’s more exotic origins. Though, like the exterior, the interior is still under construction, there’s a straightforward home inside the three long shipping containers worth of space.
We’re on our way out of the North Country, headed for a sabbatical in California, but the little houses (first built for mill workers) of Canton, New York will be there to welcome us back.
I just thought the clouds in the sky looked super appealing last night.
Homes designed to weather the fierce winters of northern New England and the North Country have a particular structure: Something vaguely Scandinavian and reminiscent of a Viking longhouse. When the sun sets and the clouds gather for our (current) proper winter, I’m glad for the equivalence.
Fall in the North Country makes dramatic skies and shadows. What I’ll call “drivewayhenge” aligned the sun precisely with this driveway, allowing for much of the scene to be in shadow while the garage at the end is a glowing beacon. In typical North Country fashion, that garage is a Millenium Falcon of useful modifications.
Decaseconds 