Most of my photographs are either calming or energizing, but it’s a rare image that makes me anxious. Storm clouds rolling over Portland, Oregon, however, have me running for cover.
Tag: Cityscape
Portrait of Oakland at Midsummer
Headlights and City Lights
The foreground of an image from the Berkeley Hills is usually a dark network of trees and trails, but the conveniently timed headlights of a car at Lawrence Hall of Science lit up the dry grasses of midsummer. Their oranges matched the sunset.
Never Use Futura
Am I trying my hand at some sort of hipster chillwave/yacht rock album cover? No, just displaying my excitement to read Never Use Futura.
Both Sides of the Bay Bridge
Peak View
Cityscapes function best with depth: layers of structures and pathways for the eye. The Bay Area view from Grizzly Peak was one of the earliest cityscapes I experimented with photographing. In those early times, it was Berkeley and San Francisco in the distance that most interested me; after my sabbatical at Berkeley Lab, the winding roads where I rode the bus to work and the bright shapes of the Molecular Foundry and JCAP in the foreground hold my interest far more. I enjoy the way in which subsequent experiences can retroactively shift the meaning in an image.
Sunset Drive to Grizzly Peak
Grizzly Peak’s superhuman view of the Bay Area seems so inaccessible; that we could drive there (albeit on steep, winding roads) is surreal. The alignment of mundane cars along the ridge seems like a different phase of matter from the glowing roads and epic accomplishments of civil engineering below. I suspect that those mundane cars will become a lot more interesting when I look back at this picture in 30 years.
Farallones, Golden Gate, Alcatraz, Marina, University, Lab
Grizzly Peak’s high vantage point means that a plethora of Bay Area landmarks can be stacked together in one image: From the faintest shadow of the Farallon Islands beyond the bridge, to the Golden Gate, Alcatraz, the Berkeley Marina, the busy travelers on University Avenue, to the Joint Center of Artificial Photosynthesis atop a hill in Berkeley Lab.
The Last Time I Saw The City
Though photographing San Francisco became an everyday occurrence during my time on sabbatical at Berkeley Lab, I knew even then that it wouldn’t last. Back in New York, the trivial has again become (practically) impossible. This is the last picture that I took, just before I left California on another transcontinental drive.
The Place and the View
During sabbatical, I posted a lot of views like the one below: A dramatic dusk view of Berkeley and San Francisco from Berkeley Lab’s Building 62, where I spent my days doing renewable energy research. Ending a productive day, I’d step out onto the balcony a 30-second walk down the hall from my office to find these views readily available (when the marine layer didn’t intervene).
But to my memory, I’ve posted few shots of that balcony that was so integral to the sabbatical experience. Circling around to the adjacent Molecular Foundry, I took this image that (in the top left) shows that small balcony (with sun conveniently reflecting), as well as some of the lab infrastructure around in it. In the foreground is the liquid nitrogen storage tank for the foundry with its radiator covered in ice.
Edge of the Orbital
Staging Area
Even in one of the most expensive real estate markets in the world, there has to be a place to store the equipment that makes everything run. In the foreground of this view from Berkeley Lab’s Building 62 are the shipping containers and assorted equipment used by the physical plant to keep the lab running. I’ve always found the contradiction—using very expensive land to store mundane objects—to be an engaging one. Of course, if all of the land were employed for its “valuable” use and the practical aspects were neglected, the result would be that the land would cease to be valuable.
The Mysterious Land of Toronto, Canada
Marine Layer II: Revenge of Marine Layer
I produce a lot of photographs every year, but there’s still a special feeling when one of those images moves a friend or acquaintance so much that they ask for a print. This particular image, fully cleaned-up and pixel-peeped to optimizing for printing (after starting life on Instagram) is one such example. I have to admit, the sinuous curves of the marine layer snaking through the Golden Gate, and the shadows beneath the clouds providing additional contrast, are a solid image.
Gathering to Watch from the Lab
Students from Berkeley’s campus climb as high up the hill as they can to watch the sunset behind San Francisco and the Golden Gate, but the barbed wire fence of the Department of Energy National Lab makes for a cut-off point. Far on the other side is Grizzly Peak: another great view, but one without the immediacy of this particular spot. Inside the perimeter of the lab, I had the opportunity to experience a set of perspectives both scientific and literal that are beyond the scope of everyday Berkeley life.















