The Rock

Alcatraz remains an icon of twentieth-century America. With a 500 mm lens and a view from Berkeley Lab, I was able to arrange the island with Golden Gate Bridge behind it (but not overlapping).

This is also part of my ongoing experiments, of late, trying postprocessing techniques that produce dramatic (if a bit less photorealistic) results.

The Rock

Leaving Berkeley

My time on sabbatical in Berkeley, California ends tomorrow. This has been an incredible experience (scientifically, photographically, and personally); looking out from Grizzly Peak’s incredible view, I feel like everything has aligned properly. Just as was the case last time I left, this grand view of the Bay Area is one I want to remember.
Until next time, California!

Rocks and Then the Bay

Convertible in the Hills

“All things are transient,” said my scientific collaborator, with just a hint of irony. From up in the hills at Berkeley Lab, where we study the way that light and matter interact, he meant it in three senses:

  • We use “transient absorption spectroscopy” to study the changes in a material after it is exposed to light. The new states we create are transient.
  • The gentle blue-hour conditions of this picture are transient; the light was completely different ten minutes later.
  • Berkeley Lab sits atop the Hayward Fault; a large earthquake could topple the lab at any time.

In the face of all of that transience… Might as well go for a drive.

Convertible in the Hills

Watching the Gradient

Do you see the lone person, sitting on the hillside, on the right side of this image? People provide scale, but also something more in this context. In addition to watching the literal gradient of the sky at sunset, this picture is part of a set of images of the “civilization gradient” from wilderness to dense city center. I quite like the added layer of a gradient from the individual in nature to the greater mass of humanity in cities. Traveling between rural New York and the crowded Bay Area has made me more aware than ever of the contrast.

Watching the Gradient

Between Berkeley and San Francisco

I spent this week BARTing back and forth from downtown San Francisco to “downtown” Berkeley for the American Chemical Society’s National Meeting. Bouncing between the familiar and the strange, all tinged with a general sense of familiarity, gave me a sense of dislocation, like an atom in slightly the wrong place in a crystal structure. Beyond meeting scientists and seeing old friends, I can think of one exciting new discovery this week: the new seat fabric on the BART is an enormous improvement over the horrifying cloth of yesteryear.

Between Berkeley and San Francisco

Industrial Harbor

The orange hue and misty hills remind me of the poster for Apocalypse Now, but this is just the northern end of San Francisco Bay. In this age of upward-climbing property values and Silicon Valley rags-to-riches stories, I’m continually amazed that there’s room for industry. If these facilities had to be started today, I can’t imagine that they’d wind up in the same position.

Industrial Harbor

Rather Be Sailing

Morning sun provides very stark, even lighting across the San Francisco Bay. I know rationally that gravity forces the big body of water to be (basically) flat, but the curves of the shore and the shadows of the clouds have always made the Bay itself seem to have hills and valleys. I can also confirm that the water feels pretty far from level when actually sailing it.

Rather Be Sailing

Dinner Time in Strawberry Canyon

The work day is ending and the eight-to-six employees are returning home. They meet in bars or at rec leagues or around the table or in front of the TV, but the hour is still too early to head out for a night’s adventure. In between work and nightlife is dinner time. We’re not tired enough to go to bed yet; the night is young and full of paths over which to integrate (to borrow Feynman’s view).

Dinner Time in Strawberry Canyon

Shelter from the Red Sun

Red sunset light hit the hilltops of Marin and the span of the Golden Gate Bridge and just a bit of San Francisco, but the little hikers in the foreground are sheltered from it. So too, I assume, are the people on the streets between San Francisco’s skyscrapers. Many of my favorite photographs are those that show the gradient from nature to dense urbanity, and I think this one fits that bill.

Shelter from the Red Sun