At once (post)modern and ancient, Dublin is a city with many sides; I feel this image captures both. Amidst a see of mid-rise modern construction, this older building looks particularly decrepit with the enormous foliage astride it.
Tag: Architecture
A Trip Back to Berkeley on the First Day with a New Camera
Scenery of Berkeley’s campus from Oppenheimer had me looking back again to my RAW files (as I’ve done recently) and finding exceptional images that benefited from my evolution in processing skills over the past decade. This particular December 2012 day marked my first walk to work with my then-new Nikon D7000, and so it was a moment in which I was viewing my quotidian surroundings through a literal new lens.
The light shining down on the little bridge over Strawberry Creek to the Faculty Club, for example, is a far more interesting image to me as a memory than it was at the moment I first processed these in 2012.
Quiet monuments, dappled by sunshine, feel different from a decade away.
Big, dramatic, and green are the themes of this bridge.
I was struck by how many portrait-orientation shots I had initially bypassed. The curving stairs in front of Latimer Hall always looked charming beneath late-autumn foliage.
These stairs down to Hildebrand Hall’s D Level were my typical path to my office. They were about as intimidating in real life as they look in this picture—squeeze between the edges of different intersecting buildings and utilities pass-throughs.
Leaving again at the end of the day, the afternoon sun on Latimer’s facade is starting to shift to an oranger hue.
The trip past the architecture school wasn’t one I typically made by 2012 (I moved from an apartment south of campus to one on the west side), but the light on its concrete architecture wasn’t to be missed.
Hartford Gotham
Irish Balcony
Big Clouds Behind Travelers Building
A Night in the Back Yard
Waiting for William Gibson
William Gibson’s novels—particularly the latter ones—are deeply interested in questions of design and constructed environments. That, combined with his characters’ globe-trotting tendencies, means that richly described hotel lobbies figure frequently into his works.
I’m a bit of a great hotel lobby fan myself, so the plant-filled glass space at the front of Dublin’s The Green Hotel immediately grabbed my attention. What a cozy space, sure—but the modern touches make me feel I’m more likely to rendezvous with a spy than slowly slurp a warm beverage.
Campanile Symmetry
Two Spontaneous Alignments in San Diego
With so many tall, vertically oriented structures in a city, it’s probably no surprise that some of them should fall into pleasing alignment with one another. The modest glow of sunrise light through the gap between the clocktower and the adjacent building provides a friendly spark to guide the eye to the center of this image.
In this second case, it’s harsher Sun, rather than palm trees and clock towers, that has found its way into a special alignment through the streets of San Diego. Bright light falls into this canyon that should otherwise be dawn dim.
Curved Room Windows
Breakfast on the Porch II
A perfect late-summer morning at Mohonk Mountain House holds the promise of a day spent outside. While this image may be a sequel to last week’s post, I think this other angle reveals a far different view of the possibilities a day can hold when experiencing vacation.
Oscar in the Setting Sun
Rocking Chairs Overlooking the Lake
A Visit to the National Museum of Ireland – Archaeology
Our visit to Dublin included a morning in the National Museum of Ireland’s Archaeology building. Fittingly, the structure of the space combined elegant nineteenth-century cast iron with modern additions.
This flint knife, ringed by other pieces of sharpened stone, struck me as a bit like a king being bowed to by lords and ladies.
These woven metal buttons are incredible pieces of detailed structure built from many hours of human effort. Funny to think that we marvel over the structures produced by techniques like 3D printing, when humans have been inventive with forms and materials for millenia.
This array of Viking-era swords, in various states of oxidation, has a delightful rhythm.
Among them, this sword and its hilt of non-ferrous metal is excitingly less degraded.
Too much Tolkien makes every dark stone bracelet look a bit sinister.
On a lighter note, the runes carved into this deer antler read, “DEER ANTLER.”



























