The North Country is green and lush at this moment, but it’s worthwhile to look back on the recently-thawed saltscape that was spring. I still feel a certain sense of amazement at the number of fierce winters homes like this have survived.
Road Work
Summer is the season of endless construction in Berkeley.
Morgan’s Ice House
Summer means ice cream! There’s no more fitting place for a crowd to be during the Dairy Princess Festival than crowded around the local ice cream stand. The contrast is strong and the setting is familiar in that “classic Americana” kind of way. Even the edge of the house next door adds that bit of small-town welcoming spirit. A scene of Norman-Rockwell-esque friendliness.
Camouflage?
I know camouflage is situational, but this is ridiculous.
The Impossible Hotel
The Fairmont Château Laurier dominates downtown Ottawa; the effect is only exaggerated by the distorted effect of this multi-shot panorama. The people and buses and even the capital seem normal, but as it rises, the structure becomes increasingly Hogwartsian.
Morning Rain, Delicate Color
Up early in the morning (to photograph a horse show, naturally), I watched a storm brew over St. Lawrence’s fields. The model-railroad trees and fences and the morning colors scattered through the clouds made it worth being up at such an hour (almost).
July 4 Special: Muscle Cars and the Dairy Princess
Independence Day is a great time for an extra shot: down Park St. in Canton, NY on the first night of the Dairy Princess Festival. Ice cream and muscle cars and John Deere and music in the street. America!
Saints and Bulldogs
Sports! America! Red white and blue (uniform colors)! (And the reflection of a crowd full of families, watching the action.)
Pelican
Statue located outside the graduate assembly on UC Berkeley’s campus.
African Buffalo
During my safari in Zulu Nyala, I came face-to-face with this Cape buffalo. They’re apparently unpredictable, and have never been domesticated. I appreciate the idea of the “rogue cow cousin,” like the Wolverine of cattle.
Trickle
One of the forks of Strawberry Creek running through UC Berkeley’s campus.
Happy Mario
This past weekend, I photographed the grand prix event at the Lake Placid Horse Show. With a $75,000 pot, a lot of money was on the line. (You can see more of my photos of the competition and candids of the audience at the Plaid Horse.) This particular shot of Mario Deslauriers, one of the grand prix competitors, really caught my eye. Watching his competition, with that knowing smile, seems like the confident move of a seasoned pro. Jumper competitions are so fascinating, with competitors of all genders and ages.
Lonely in Tupper Lake
This tiny island sits in Tupper Lake’s appropriately named Rock Island Bay, amid this quintessentially Adirondack-y landscape of rolling hills and coniferous trees. This particular island has always been notable to me because of the degree to which it aligns with my boyhood ideal of “where to hide out.” Swimmable, but just barely for a 10-year-old, from the shore. A tree for the barest shelter and a twig, now and then, from which to craft a fishing hook. When the day of adventures is over, a little island like this one would be just big enough for a boy-sized lean-to for my childhood self. Wouldn’t that be paradise?
Football Man
A statue of legendary Cal football coach Pappy Waldorf on Cal’s campus.
The Fall and the Pool
A year ago, I stood atop this waterfall in the corner of Connecticut, relaxing and hiking in the last few days before I traveled north to Canton to begin the faculty life. There are three things that this image captures:
- So many waterfall pictures use a long exposure to smooth the water into some blurry, surreal, Platonic ideal of flow. The effect might be pretty, but that effect is also a lie about the true experience of the crashing and splashing. Let’s get some spray in here!
- Poetically standing atop a waterfall in a wood, with a calming pool nearby, seems to me less a cliché than something that is consistently authentic across the American experience.
- Nostalgia may power a lot of my images, but it’s a force that only works retroactively. I would feel very different about the image if I’d promptly slipped and trashed my camera. Can that “dodged danger” exist within the image itself?
