This is one of those images that’s definitely worth clicking through to view at full size. The rough surfaces of rocks, moss, and pine needles contrast so effectively with the smooth, graceful textures of the waterfall.
Author: adohertyh
Coachella Valley Off-Roading
When I last flew to southern California, I was relaxing in Coachella Valley and spending time in settings like this. This week, I’m back but in a completely different spatial and mental space: I am on high alert as I prepare a presentation on my scientific work and spending time in the urban core of San Diego. At least I can look back on images from a less stressful time.
Nightfall on the Western Span
Lights of the Quarry at La Quinta
A Seven-Year-Old’s Whole World
Datsun with the Right Wheels
The Datsun Z cars are some of my favorites (very likely due to Wangan Midnight), but since the originals arrived in the US on steel wheels, they’re nearly always seen on aftermarket alloys. These Compomotive-style wheels certainly meet my expectations, even if they’re not the “right” (i.e., historically accurate) units.
California Dog Walkers
Sunset Over Denver II
What Planet Is This?
Fishing on Lake Cahuilla
At one level, this is a calming, nostalgic image: two people fishing from a causeway over Lake Cahuilla reservoir in Coachella Valley.
The layers of reflections and horizontal lines, however, give it a very surreal, Dali-esque topology: reality doesn’t quite seem to be shaped correctly here. Space is folded in on itself.
Afternoon at the Brookses’
Done Fishing for the Day
Home in the High Desert
Curves of 240Z
The Future Wasn’t Already There, But Now It’s Evenly Distributed
My favorite William Gibson quote is, “The future is already here—it’s just not very evenly distributed.” How we gauge futurity—or how we identify the traits we associate with future-ness—means that some places will have more “future” to them than others. A mountaintop in the Adirondacks might be pretty similar to its condition 100 years ago, while downtown Berkeley would be unrecognizable.
This image is a picture of the past, from the “future”: I wanted to print a tall, vertical image of Berkeley and the Bay but had (it turns out) never quite taken the one I wanted. I had taken the two pictures that went into making this image as part of a larger panorama in 2013 that never quite came out. Here in the present, I pulled in every technique in my arsenal—Adobe’s super resolution, Topaz AI noise reduction, frequency separation—to assemble two images from a circa-2010 16 MP Nikon D7000 into the 76 MP monster you see below. This one is definitely worth clicking through to full resolution.














