HDR Photography
North of Berkeley, on Grizzly Peak, mid-century modern homes block most the sunset views. I imagine great sheets of glass and tastefully appointed balconies on the other side, but the street-facing side offers mostly abbreviated driveways and garage doors. When I can peak through, though, the gardens of white flowers give way to views above the trees to Richmond and the North Bay.
My past couple of posts have been images of San Francisco, foregrounded by nature and suburbs—the style I like to call a “civilization gradient”. This image similarly presents downtown Oakland, California, past the hilltop homes and Cal fields of Strawberry Canyon and through the invasive alien leaves of Berkeley Lab’s eucalyptus trees. The HDR processing techniques that Brendan and I use are perfect for settings like this, with an array of light intensities across a broad landscape.
Nothing like Nik’s Analog pseudo-vintage photoprocessing to produce the maximally creepy image. This particular lamp at St. Lawrence, ensconced in the boughs of a maple tree, creates the best patters at night. The tendrils extending from a central bulb remind me of the structure of a neuron.
Of all the plant phyla, I’ve always felt a particular affinity for the conifers. Those spiny softwood survivors have a diverse yet particular set of aromatic compounds that accompany them; I can chart a lot of happy memories to pine or cypress groves and their applied organic chemistry. Starting on the east coast, through the midwest, and finding myself in grad school on the west coast meant contact with a lot of different species. These ocean-wind-sculpted examples from Pacifica, California are particularly dramatic.
St. Lawrence’s campus includes far more natural settings (and transitions far more quickly to them) than any place I’ve previously experienced. The Wachtmeister Field Station is a field laboratory that feels like a “candle in the wilderness,” despite being within (drone) sight of campus.
This object is not made from wood. (Though the far-off tree in the background is…)
This is is the top of what was once an anchor. Oxidation has transformed iron(0) metal into acres of iron(II) and iron(III) oxides of odd morphology.
Glaze ice really makes an incredible sight in full sunlight.
I’ve continued experimenting with Aurora HDR software, and I’ve confirmed my earlier opinion that it is an excellent tool for surreal, enticing night shots and cases where the noise would be too high for any other HDR technique. For realistic HDR with natural lighting, however, Photomatix remains the king.
Snow levels and re-makes the world, if only for a short time. My sense of scale decouples slightly from reality; though I know that the chapel is far taller than any form, man-made or otherwise, on St. Lawrence’s campus, I can’t help but imagine these trees stretching to impossible heights.
I can’t wait until next Christmas!
Strange weather persisted, but living in the North Country, I always knew the truth: Winter is coming!
This photograph, from Thanksgiving 2014, looks far more like winter than anything I see out my window today.
Fall in the North Country makes dramatic skies and shadows. What I’ll call “drivewayhenge” aligned the sun precisely with this driveway, allowing for much of the scene to be in shadow while the garage at the end is a glowing beacon. In typical North Country fashion, that garage is a Millenium Falcon of useful modifications.
This street scene from my trip to Seattle jumped out at me because of the shift in tone: As the cars drive around the corner, they drive from the last dark, street-lit parts of the dawn into the full light of day. The passage of time is mapped onto the transition of light.
I spent the early part of this week at St. Lawrence University’s Camp Canaras (like Saranac Lake spelled backwards) for a retreat. Cold and rain tamped down expectations of canoeing; instead, I had an early morning hike in the sound-dampened world of fog.
At night, the camp took on the otherworldly quiet of the Adirondacks after dark.
Decaseconds 
