November snow can’t hold the title “unseasonable” in Canton, New York, but it adds a gentle blanket to the campus, just the same. The soft dusk ceiling of pastel clouds and the quiet campus converge at the end of the day.
Tag: photography
Across Russian Hill
Like Manhattan, San Francisco is largely trapped by water. Like Manhattan, the city has preserved large swaths of “natural” space (e.g. Central Park, Golden Gate Park) in that hyperdense urban mass. The Mediterranean climate, youth, and topographical preposterousness of San Francisco give it a unique (pardon the neologism) architexture. Looking west from the trees of Telegraph Hill, over Russian Hill and on to the Presidio and the Golden Gate Bridge, the cross-section of environments complement each other. My mind still struggles to see the towers of Russian Hill in the same image as the inhospitable rocks of Marin.
Foothills
Where earth meets sky at the edge of the horizon, the foothills of the Adirondacks oscillate under the autumn colors and I use increasingly baroque adjectives to describe the North Country.
Leafy Gradient on the Avenue
St. Lawrence University’s Avenue of the Elms is notable for being:
(1) Very lovely.
(2) Very long.
(3) Very colorful (at least when autumn arrives.)
The sense of space and hue and Alice-in-Wonderland surreality pervade the space. On the Avenue of the Elms, the “regular rules” don’t apply and crisp fall Saturdays are forever.
Mist in the Clearing
The stunning, overwhelming, almost-heartbreaking Muir Woods National Monument in California has become a photographic cliché. (Thanks, Ansel Adams.) That doesn’t prevent me from discovering something new in every corner and every moment. The incredible contrast of scale between ferns and sequoias twists the mind, and the quiet, misty paths (early in the morning anyway) transport you to an overwhelming alternate world.
Expanse
With dusk arriving earlier and earlier each day, I feel that the time is right to extoll the glory of clouds stretching off to an infinite (or at least periodic) horizon and the first hints of yellows and oranges in the sky matching the hues of the trees.
Little Acorns (Sand Fortress V)
Perhaps acorns scattered on the beach don’t really count as castles (as in I, II, III, and IV of the series), but the neural pathways (cliché incoming: imagination) of a six-year-old, they can be elegant abodes of elves or the landing pods of a tiny invasion force. I think they fit the theme nicely. During my trip to Connecticut last week (again, tragically bereft of my Nikon), I visited Lake Wononscopomuc, where I spent the summers (and winters) of my youth. It brought my back to the thinking of that “miniature me,” if only for a few minutes.
Oak Snow Shelter
Snow comes early to the North Country. Nothing quite justifies a cold morning more than waking up to a lovely dusting of snow and flakes in the air. The oak trees are still stubbornly holding onto their leaves, and thus there was a cozy snow-free zone (and a welcoming bench) from which to watch the snow this morning. Johnson Hall of Science looks friendly in all seasons.
Winter Comes to the Adirondacks
On my way back from my conference in Connecticut, I drove through the Adirondacks, where winter is arriving fast. The hills were dusted with snow and all but the most tenacious leaves were carpeting the forest floor. I pulled off the road for this shot in Tupper Lake, where the grasses, placid waters, and stubbly hills matched perfectly with the dense clouds and the random distribution of sunlight. The moment felt chaotic, strange—just a bit primeval. I had a chance to do landscape photography that truly excluded any human intrusion (save the eye of the photographer himself.)
OMNI
I’m down in New Haven, CT for a conference—a great opportunity to shoot a classic American east-coast city, you say? But my camera is doing double duty shooting horses this weekend! What is a photographer without a camera (and with a lovely view of New Haven in the morning from the top of the Omni Hotel) to do? I’m not the biggest evangelist for iPhone photography, but in a pinch (and with the help of a handy bracketing app), it’s possible to account for a lot of the device’s shortcomings and produce photos that can transmit at least a degree of the desired effect. For the ubiquitous “multitool in your pocket,” that’s pretty good.
Saturday Morning in the North Country
When I have to be up early to shoot a horse show, I make certain to take advantage of the occasion. In looking across the autumn North Country fields, I was amused by the “chronological asymmetry” between the looming living tree and the stump of “tree-past.”
This is Telegraph Ave.
A mid-winter shot down Telegraph Ave. to the heart of Oakland (from the top of Berkeley’s Campanile) is more nostalgia-tinged now than when I took it. And I do appreciate the way that this shot captures the Bay and the hills ringing it, the silvan suburbia of the East Bay, and even the oddly broad California streets.
Ultimately, even with the benefit of nostalgia, I still have mixed feelings about Oakland. In some ways, the existence of Oakland allows San Francisco to be an “unbalanced chemical equation,” pushing off many of its problems across the bay. Everything can still look peaceful from a distance.
Ghostly Dining
In the dining hall of Timberline Lodge (just around the corner from the gorgeous main hall), the imposing wood and the elegant place settings seem immovable and eternal. The human beings floating through, blurry and insubstantial and fleeting, are as ghosts.
Homecoming Sky
On the dawn of SLU’s homecoming weekend, the sky was filled with appropriately dramatic clouds and the campus was dotted with all sorts of exotic temporary structures. (Or really only one sort: tents.) The attraction of a liberal arts campus on a crisp autumn weekend jumps from the screen.
Bunkroom: Before and After
Waking up for Monday merits a pair of shots from my time at the Timberline Lodge in Oregon. Call it a before/after, if you’d like. The tiny (yet charming) bunkrooms were full of rustic furniture, but looked even more surreal in the glare of morning light the next day.
Decaseconds 