Summer Evacuation

Driving through the Adirondacks during these first few weekends of fall, the summer vacationers are in full retreat. The rear guard hangs on for a few more weeks as the trees turn to oranges and reds, but the end is near. Even if I know rationally that the sea plane is grounded (watered?) for the night, I can’t help but imagine the plane waiting to carry away the summer’s strong survivors.

Summer Evacuation

SLUperMoon

The last supermoon of the summer (such as it is) was hovering over the Adirondacks and over St. Lawrence’s sylvan campus. The interplay with the science buildings seemed appropriate.

SLUperMoon II

Even better, though, was the alignment of the moon directly over the tiny tower in the Adirondacks (cell, I’m guessing?). Maybe it’s innocuous, or maybe it’s part of a plan by a mad scientist to finally control the Moon!

SLUperMoon I

City of the Future!

In the distance land of Portland, Oregon, urban renewal has transformed the rail yards of the Pearl District into galleries and shops and condos in towering new buildings. Doesn’t this scene look like a futuristic utopia? (Hopefully it’s not moments away from the shattering realization that it’s all built on some “Soylent Green”/”The Giver”/”Equilibrium”-esque lie.)

City of the Future!

Reclined

Horse shows mean lots of downtime, even at the most exciting events on the continent: a quick rest, some rehydration, and a cell-phone check. I particularly liked this photograph for the symmetry between the faces in profile, each with what appears to be her own helmet visor (worn sans helmet). Looking at the details further, the black colors of phone and nail polish and belt and socks just match so perfectly.

Reclined

Self-Portrait V

In the realm of landscape photography, I’m interested in the details and the gradients of the landscape, the way it stretches before the viewer and displays the gradient between dense urban environments and empty, person-less ones. In taking a self-portrait, I’m interested in the same types of details: the misting raindrops collecting on my hair and the herringbone pattern in my shirt and the field of stubble on my jaw, and the way these details of texture combine to make a collective picture of me. There, the dense information of my face tapers away to the less person-specific aspects of neck and shoulders that could belong to anyone.

Self-Portrait V

Multnomah Bridge

Traveling across America, I can’t help but be astonished by the difference in scale between the East and West Coasts. The Northeast has waterfalls, sure—but nothing like Multnomah falls. (Well, not many.) The majesty must become almost pedestrian after a while when living adjacent to such a place. I particularly like this image two two reasons: the tiny hikers clustered on the bridge add a sense of impossible scale, and cropping out the top of the falls lends the setting a feeling that the falls must continue on forever. In my own tiny way, as well, I really love the tiny insertion of man-made concrete into the otherwise natural scene.

Multnomah Bridge