HDR Photography
Though it may be a semi-intended consequence of Manhattan’s zoning rules regarding floor space, setbacks, and public space, public art in downtown Manhattan is still refreshing. Jean Dubuffet’s Groupe de Quatres Arbres and its curving lines fits so nicely against the linear structure of the building behind it that I’m naturally drawn in.
A big view of a little building: St. Lawrence University’s Herring Cole Reading Room. Though it was once a library, it’s now the best study space on campus.
Human structures—food trucks and skyscrapers—side by side on a Manhattan Sunday morning provide a striking statement on the possible scales of fabrication.
A consistent theme in my posts over the past few weeks has been “reflection,” raising the question: Am I feeling particularly introspective, or have I just been finding great views with water ?
The dividing of the southern end of the Hudson River into New York and New Jersey is subject to a great deal of mythology, but whatever the truth is, the practical reality today makes the difference between the two feel pretty fuzzy.
Each pine tree in the forest stakes out its own space in the canopy, with only the tiniest channels of light between them.
Though Midtown’s 20th-century skyline is iconic, it’s quickly being amended with needle buildings. Time will tell how these impact its icon status.
The West Side Highway has fascinated me ever since I saw it in this very illegal lap around Manhattan years ago, but the road was mostly empty on this Sunday morning for a different kind of race: a running road race.
In the depths of the humid dog days of summer, I already feel myself cooling off from a reminder of the crisp afternoons of fall.
Last fall, we traveled to Governors Island, just off Manhattan, to see the Longines Global Champions League competition. Teams from all over the world ferried horses to the weird little island to clear some serious jumps.
And here is the likely reason for the League’s stop in New York City: Georgina Bloomberg, owner of the New York Empire
The tiiiiiny pack of runners in the distance marks the scale of the forest trails on St. Lawrence University’s campus.
So much of the experience of Manhattan involved being surrounded by the tall buildings that to suddenly be “outside” it—perhaps on a sunny morning, on a ferry—it a bit surprising.
The little islands in Canton’s stretch of the Grasse River make me think of Huckleberry Finn’s stops along the Mississippi but, you know, scaled down.
The brightly colored helicopters leaving the heliport on the East River stand out against gray and green colors of Brooklyn.
Just moments later, that color palette swaps—a colorless helicopter in front of colorful buildings. Perhaps my favorite detail of this image is just how much you can see of the passenger (first officer?) in the window of the Eurocopter, adding a human element to an array of otherwise designed/manufactured structures.
Quadcopter drones give photographers access to all kinds of new angles for shots, but also introduce challenges that did not have to previously be considered. I should have thought in more detail about the orientation of the impressive Lampson Falls—and considered that I wouldn’t be able to get the steep face of the falls and the setting sun in the same shot. I guess I’ll have to get up at dawn for the “proper” version of this picture.
Decaseconds 