HDR Photography
The stunning, overwhelming, almost-heartbreaking Muir Woods National Monument in California has become a photographic cliché. (Thanks, Ansel Adams.) That doesn’t prevent me from discovering something new in every corner and every moment. The incredible contrast of scale between ferns and sequoias twists the mind, and the quiet, misty paths (early in the morning anyway) transport you to an overwhelming alternate world.
With dusk arriving earlier and earlier each day, I feel that the time is right to extoll the glory of clouds stretching off to an infinite (or at least periodic) horizon and the first hints of yellows and oranges in the sky matching the hues of the trees.
Perhaps acorns scattered on the beach don’t really count as castles (as in I, II, III, and IV of the series), but the neural pathways (cliché incoming: imagination) of a six-year-old, they can be elegant abodes of elves or the landing pods of a tiny invasion force. I think they fit the theme nicely. During my trip to Connecticut last week (again, tragically bereft of my Nikon), I visited Lake Wononscopomuc, where I spent the summers (and winters) of my youth. It brought my back to the thinking of that “miniature me,” if only for a few minutes.
Snow comes early to the North Country. Nothing quite justifies a cold morning more than waking up to a lovely dusting of snow and flakes in the air. The oak trees are still stubbornly holding onto their leaves, and thus there was a cozy snow-free zone (and a welcoming bench) from which to watch the snow this morning. Johnson Hall of Science looks friendly in all seasons.
On my way back from my conference in Connecticut, I drove through the Adirondacks, where winter is arriving fast. The hills were dusted with snow and all but the most tenacious leaves were carpeting the forest floor. I pulled off the road for this shot in Tupper Lake, where the grasses, placid waters, and stubbly hills matched perfectly with the dense clouds and the random distribution of sunlight. The moment felt chaotic, strange—just a bit primeval. I had a chance to do landscape photography that truly excluded any human intrusion (save the eye of the photographer himself.)
I’m down in New Haven, CT for a conference—a great opportunity to shoot a classic American east-coast city, you say? But my camera is doing double duty shooting horses this weekend! What is a photographer without a camera (and with a lovely view of New Haven in the morning from the top of the Omni Hotel) to do? I’m not the biggest evangelist for iPhone photography, but in a pinch (and with the help of a handy bracketing app), it’s possible to account for a lot of the device’s shortcomings and produce photos that can transmit at least a degree of the desired effect. For the ubiquitous “multitool in your pocket,” that’s pretty good.
When I have to be up early to shoot a horse show, I make certain to take advantage of the occasion. In looking across the autumn North Country fields, I was amused by the “chronological asymmetry” between the looming living tree and the stump of “tree-past.”
A mid-winter shot down Telegraph Ave. to the heart of Oakland (from the top of Berkeley’s Campanile) is more nostalgia-tinged now than when I took it. And I do appreciate the way that this shot captures the Bay and the hills ringing it, the silvan suburbia of the East Bay, and even the oddly broad California streets.
Ultimately, even with the benefit of nostalgia, I still have mixed feelings about Oakland. In some ways, the existence of Oakland allows San Francisco to be an “unbalanced chemical equation,” pushing off many of its problems across the bay. Everything can still look peaceful from a distance.
In the dining hall of Timberline Lodge (just around the corner from the gorgeous main hall), the imposing wood and the elegant place settings seem immovable and eternal. The human beings floating through, blurry and insubstantial and fleeting, are as ghosts.
On the dawn of SLU’s homecoming weekend, the sky was filled with appropriately dramatic clouds and the campus was dotted with all sorts of exotic temporary structures. (Or really only one sort: tents.) The attraction of a liberal arts campus on a crisp autumn weekend jumps from the screen.
Waking up for Monday merits a pair of shots from my time at the Timberline Lodge in Oregon. Call it a before/after, if you’d like. The tiny (yet charming) bunkrooms were full of rustic furniture, but looked even more surreal in the glare of morning light the next day.
I’ll sneak in one more unscheduled weekend post with this photograph from St. Lawrence University’s Avenue of the Elms. Some fall afternoons are so perfect that they must be shared.
The benefit of teaching early morning classes: I’m finally (routinely) up for the sunrise. Even when the morning is cold and my fingers don’t want to be operating a camera, the fall and the clouds and the trees conspire to make Johnson Hall of Science (a frequent subject) look like paradise.
Trinity College’s gargantuan Neo-Gothic chapel is never more intimidating than at early dusk in the winter. The pale stone and the snow on the ground exert a pressure in the brain of everyone around them. In capturing an image of the chapel, perhaps I can bottle some of that intensity.
(And I had the opportunity to continue my recent trend of 1:1 aspect ratio photographs, to boot!)
Running through the core of Oregon’s Timberline Lodge (last seen on Decaseconds Monday) is a chimney. The hexagonal and redwood-girthy chimney feeds multiple communal fireplaces at person-level, but up in the vaulted ceilings it takes on a wholly different Harry Potter charm. Wrought iron hardware and enormous beams bond the core to the rest of the lodge structure.
Decaseconds 