HDR Photography
Old buildings of the northeastern U.S. have been repurposed and adapted so many times that they all have odd quirks and echoes of that modification. Look at the patterns in the brick on the back of this building: the skeletons of old walls and structures where they were removed, and windows covered over where there are walls on the other side. What did the back of the American Theatre once do?
California coastline is so much bumpier and more dramatic than the eastern locations I grew up with. Can you spot the two tiny people on the left cliff, overlooking the water? Nothing like a couple of tiny people to provide a sense of scale.
I love the northwest.
“Cabin” is more an aesthetic style than a humble building in the North Country. At St. Lawrence’s Camp Canaras, the cabins are large structures with complicated architectural flourishes; at midnight, they take on a Tolkeinesque vibe.
Even though the Seattle Great Wheel only showed up after I moved away, when I find myself picturing the Seattle waterfront lately the wheel (along with all of Bertha’s equipment) figures prominently.
After what was (I imagine) quite a battle in previous decades, St. Lawrence has only a couple of fraternities remaining. The Beta house is visible in the background, rather mundane and unassuming in comparison with its pearly temple building. Bracketed by trees, the building does a pretty good job of proclaiming its importance in the classical tradition.
I know the fundamental constants governing physical interactions remain the same (within experimental error). Precipitation isn’t changing the Planck Constant. In spite of that, reality seems subtly tweaked and upgraded on a drizzle-coated evening and shot through a wide-aperture prime lens. I’m sure glad the books in the Brewer Bookstore aren’t being “upgraded” by the rain.
After a good rain even a shallow pool can look a little murky.
Students hike the cliffside where geological formations collide. On July 4th, let me compose an overly-ornate sentence about the season and the nation.
“Summer hiking in the North Country of America, at the edge of the Adirondacks: stripes of chlorophyll and aluminosilicate and tanninful water.”
If this week on Decaseconds has had a theme, it has been structures suspended over water at sunset. It has also been a week of long-exposure shots that live up to the site’s title. Hoards of gulls riding on the waves are reduced to weird ghost-blurs in the foreground of the San Francisco Bay Bridge, Yerba Buena, and the Port of Oakland.
Summer means hanging out on the dock and enjoying the view.
Adirondack-meets-elven style in this bridge over the Grasse River. The lights seem inviting; that’s probably appropriate, given that this is the bridge connecting SUNY Canton’s campus with the town proper. (I’ve explored the connection from another angle in the past.)
Though the architectural style isn’t as apparent from this shot, I love the sense of multiple pathways vanishing to infinity: down the river or across the bridge. So many places to go and things to explore. (And some proper long exposure to merit this website’s name.)
It’s too bad they demolished the Miles Rock Lighthouse, it looks like it would have a great photography subject. As it stands, what’s left looks like the remnants of some kind of sea fortification of a bygone era.
Walking by Grasse River under a tree-shaded path sounds romantic. As overtly charming as the sunset hour can be, I find that I prefer the photographic version; there are a lot fewer mosquitoes.
Campus is (mostly) empty. The longboards and snowboards and ancient bikes are packed away. Any motion grabs attention—even shadows and lens flare.
Decaseconds 