HDR Photography
During last winter’s road trip from New York to California, we were struck by the sheer scale of the American West: one step off the Interstate drops you into an enormous expanse. At the edge of Wyoming’s Black Hills, there’s a Bob-Ross-ian grandeur to enjoy.
Transcontinental driving in the dead of winter is all about dodging storms—but no one’s perfect. In the emptiness of Western Nevada, with only an occasional RV/farm combo to keep us company, the edge of a major storm ran into the setting sun.
“Post-apocalyptic” was the general vibe. The landscape was so large as to be without scale; I couldn’t tell you the actual height of the hills in the distance.
I bet the view from the top floor is amazing.
These colors don’t run.
Winter arrived in the Northeast with maximum attitude: from 66ºF on Saturday morning to a full-on blizzard by Sunday. In Salisbury, CT, home of ski jumps and wood-lined hotel bars, we got to experience the odd dynamic of watching Porsche and Mercedes SUVs claw through the snow. The classic White Hart hotel was looking its best.
I tested my DJI Phantom 3 Advanced in the post-storm conditions. Almost-freezing, windy conditions didn’t have an impact on its flight performance, but the gimbal didn’t seem too thrilled. Some of its smooth elegance was lost… Or maybe it was just the wind.
The weekend marked a Hunter’s supermoon—one that also coincided with the moon rising along the axis of Main Street in Canton, New York, as well as coinciding with the local period of peak foliage. Can one small town handle all of those events? My quadcopter and I were on hand to investigate. From 100 meters up, Main Street looked just about perfect. You can spot the awning of the Chinese restaurant and the movie theater that I’ve photographed previously, but the same structures take new meanings.
Autumn in the Northeast has its particular look and feel, but it comes quite a bit earlier to the North Country than to elsewhere. Canton, New York is looking its most charming and just over the horizon, Ontario, CA is doing the same.
Keeping with the theme of great things being surprisingly small, Independence Hall.
Completing my week of cars on Decaseconds is this image of my colleague, Sam, with her 1969 Chevy pickup. This could also be considered another entry in my occasional focus on small-town Americana: between the grill, the back yard, and the pickup , it certainly fits the bill.
Somewhere over America on my transcontinental flight, I spent a lot of time pointing my eyes out the window. (Even calling it staring would probably imply too much attention and effort.) Among the low hills and fields of the whole of North America, I saw this town poking out from amid the rural surroundings. In abusing vignetting effects, the “this is my SimCity!” vibe is transformed to some Cold-War-paranoia-inducing, spy-plane-esque, “Soviet bombers over the heartland” effect. (And in my continuing efforts to document the gradient between urban and rural, this is a new approach.)
Independence Day is a great time for an extra shot: down Park St. in Canton, NY on the first night of the Dairy Princess Festival. Ice cream and muscle cars and John Deere and music in the street. America!
Spring is late to the North Country, and though the snow is gone and the homes have (mostly) survived, plant life hasn’t yet surpassed the “first hints of green grass” level. There’s nonetheless a certain crunchy, dusty beauty to the sunset now—one that is nicely offset by the glossy reflections from window panes.
On those special nights, when ice crystals align correctly in the atmosphere, atmospheric optics get a bit crazy and a sun pillar like the one here appears.
Though, to be honest, even the Rayleigh scattering that makes the sky blue is crazy to begin with. The strange behavior of light and matter (thanks, Richard Feynman!) never ceases to amaze me.
I’ve always been fascinated by the American colloquialism of calling any feed store an elevator. (Though Canton does have a larger grain elevator of its own, as well.) When the sunset sky is at its most glorious, reality highlights the hyperutilitarian aesthetic of a working building: it has to be painted some color, so it might as well be post-war pastels.
Decaseconds 