The opposite side of Equus Run (in both space and time) from Friday’s post finds a concert letting out and light trails along the normally empty Moores Mill Road.
Tag: aerial
Dawn on the Shores of the South Elkhorn Creek
Sunrise over northern Kentucky, when captured from a drone, seems to present layers on layers (creek/patio/driveways/vines/forest/interstate/forest/sky) that look like an ukiyo-e print.
Leaving O’Hare
Runways on runways on runways, with the Rayleigh-scattering-induced silhouette of the Chicago skyline in the distance, on this summer morning over O’Hare International Airport.
Lake and Subdivision
For once, the arbitrary contortions of a subdivision’s streets seem to have some purpose: fitting within the shoreline of this lake outside Denver, Colorado.
Dawn on Interstate 64
Good news, everyone! A new, much-lighter, yet equally capable drone (the DJI Mini 3 Pro) means aerial photography while traveling in a way that was never possible with my chunky Phantom 3.
In today’s image, northern Kentucky presents a classic American combination: old barns and farms, crossed by the monolithic expanse of the Interstate system.
Colorado Crossroads
Just as any sufficiently advanced technology is indistinguishable from magic, I likewise suspect that any sufficiently populated crossroads is indistinguishable from a town.
Morning Light on the Grid
Sections of Chicago’s hinterlands that were once stockyards and meatpacking facilities have long since been converted to serve as industrial parks, but the sense of an endless grid remains.
Suburbs Outside Denver
Neal Stephenson’s “burbclaves” in Snow Crash are subdivisions-as-mini-nation-states—an intentionally silly idea in the satirical context of the novel’s libertarian dystopia. These Denver suburbs are now my internal vision of how such a burbclave would look.
Suburbs Outside Denver I
Waaay off in the distance, beyond the un-grid of this subdivision, is downtown Denver. Beyond that are the Rocky Mountains. That sense of being sort-of-near spectacular sights while still being trapped within cul-de-sacs is one that I expect is pretty common to people who spent some amount of their childhood living within such developments.
Shield Wall
Dune’s naturally occurring “Shield Wall” always seemed a bit fictional to me—until I saw Denver’s metropolitan area from above. Look at that sharp divide between mountains and the valley floor!
Wind Farm Leaving Coachella Valley
I’ve shown you a far different view of the wind farms at the northern end of Coachella Valley, but an aerial view at dawn provides better documentation of the project’s true scale, and its place in the fascinating geological setting of the valley.
Salisbury’s Ski Jump
Bright Saturday morning sunshine warms Salisbury, Connecticut and make the town ski jump flash in the distance at the left of the image.
A Seven-Year-Old’s Whole World
Neal Stephenson’s “Fall” suggests that that pattern of one’s childhood hometown is patterned deeply into the brain. This picture captures pretty much everywhere I could get to on my own (i.e., on my bike) when I was seven years old—so, basically my whole world at that point.
Sunset Over Denver II
Beneath the mountain-wall around Denver, the only bright objects are the artificial lights and the highly reflective bodies of water.
What Planet Is This?
High above the desert of southeastern California, the expanses of sand and stone look more to me like the surface of Mars than anywhere on this planet.
Decaseconds 