HDR Photography
The brightly colored helicopters leaving the heliport on the East River stand out against gray and green colors of Brooklyn.
Just moments later, that color palette swaps—a colorless helicopter in front of colorful buildings. Perhaps my favorite detail of this image is just how much you can see of the passenger (first officer?) in the window of the Eurocopter, adding a human element to an array of otherwise designed/manufactured structures.
Quadcopter drones give photographers access to all kinds of new angles for shots, but also introduce challenges that did not have to previously be considered. I should have thought in more detail about the orientation of the impressive Lampson Falls—and considered that I wouldn’t be able to get the steep face of the falls and the setting sun in the same shot. I guess I’ll have to get up at dawn for the “proper” version of this picture.
When pretty much everything else in this picture is newer than the Brooklyn Bridge, the beauty of the timeless design is effectively articulated.
Flying again in the spring means a special view of the Adirondack foothills, particularly in areas like this: Lampson Falls in Clare, New York.
I often show what I think of as the front of Johnson Hall of Science, but inspection of this image (particularly the top of the brick wing on the left) shows that the building’s name, and thus its front, are on this side. The dramatic glass structures extending between and out from the wings lend credence to the idea.
St. Lawrence University’s Saddlemire Trail (just to the right of the creek) runs through the wilder parts of our campus. A sunset stroll along it (and its twin, the Kip Trail) makes for a perfect early-June evening.
Cityscapes were the images that first really drew me to photography—those images with seemingly infinite detail. Zooming deeper and deeper reveals trees and cars and people down at street level. Surpassing the current limits in this respect will probably mean a new camera (or a real commitment to multi-shot panoramas.)
The sun silhouettes the top of Johnson Hall’s eastern wing, and particularly the tower-like area where the Chemistry Department’s main classroom/seminar space watches over the rest of campus.
Using a fisheye lens to photography water is a little too on the nose, but I love seeing the colors and patterns in the Grasse river along with so much of the rocks and the bank and the other bank, too.
When St. Lawrence University began in 1856, the whole school—classrooms and dorms and dining hall and offices—were all crammed into this one building: Richardson Hall. Since that time, a lot has changed about the school. Yesterday marked commencement for the Class of 2020 (virtually), left me thinking about the the history and future of the university.
Late spring brings some of the best sunset clouds to Saranac Lake, but the evening temperatures would never let you confuse it for summer.
On Earth Day, I really like the image of the next generation, growing up in nature under the shelter of elders.
With the evening sky reflected in the water, this island in Saranac Lake appears to float like a fuzzy green saucer.
St. Lawrence University’s Camp Canaras is a heterogeneous collection of cabins along the shore of Saranac Lake. Among them, this particular building’s stack of individually glazed windows and roofs at odd angles most reminds me of Howl’s Moving Castle.
I mentioned in Monday’s post that I find structures built over water to be oddly cozy, and this dock and boathouse on a rainy late spring evening conveys the same kind of feeling.
Decaseconds 