HDR Photography
If the weather is just right and recent rain has the Raquette River running high through Stone Valley, a summer hike is just the thing. A geologist would have the technical explanation of the valley’s odd geometry. The hydroelectric dam secretly controls the scene (or the water release, anyway).
The scale of the setting doesn’t really become apparent until you try to spot the tiny people (chemists and physicists, in this case) on the rocks. Bob Ross would be proud.
Old buildings of the northeastern U.S. have been repurposed and adapted so many times that they all have odd quirks and echoes of that modification. Look at the patterns in the brick on the back of this building: the skeletons of old walls and structures where they were removed, and windows covered over where there are walls on the other side. What did the back of the American Theatre once do?
California coastline is so much bumpier and more dramatic than the eastern locations I grew up with. Can you spot the two tiny people on the left cliff, overlooking the water? Nothing like a couple of tiny people to provide a sense of scale.
“Cabin” is more an aesthetic style than a humble building in the North Country. At St. Lawrence’s Camp Canaras, the cabins are large structures with complicated architectural flourishes; at midnight, they take on a Tolkeinesque vibe.
This object is not made from wood. (Though the far-off tree in the background is…)
This is is the top of what was once an anchor. Oxidation has transformed iron(0) metal into acres of iron(II) and iron(III) oxides of odd morphology.
Today’s guest post comes from Dr. Piper Klemm, publisher of The Plaid Horse. Piper is traveling the northern land of Alberta, Canada for the Calgary Stampede. She stopped by Lake Louise, near the border with British Columbia, and home to some incredible views (more to come). This particular moment, with sunlight peaking through the clouds to illuminate a lakeside cabin and the canoes on the right of the image, was too perfect to resist posting.
Coastlines are so common in stretches of California that they are just a bit mundane. The subdivisions and mid-twentieth-century houses along the shore just don’t seem exotic or strange enough for a “special” place. Seeing a picture like this one makes mid-80s synths play in my head.
After what was (I imagine) quite a battle in previous decades, St. Lawrence has only a couple of fraternities remaining. The Beta house is visible in the background, rather mundane and unassuming in comparison with its pearly temple building. Bracketed by trees, the building does a pretty good job of proclaiming its importance in the classical tradition.
I know the fundamental constants governing physical interactions remain the same (within experimental error). Precipitation isn’t changing the Planck Constant. In spite of that, reality seems subtly tweaked and upgraded on a drizzle-coated evening and shot through a wide-aperture prime lens. I’m sure glad the books in the Brewer Bookstore aren’t being “upgraded” by the rain.
As with my photograph of the Seattle Public Library, I’m exposing my inner hipster with these images. Double exposures had an element of serendipity and excitement when they originated from film cameras. I guess I’d call these more studies or experiments in how to bring together the landscape images I’ve enjoyed creating with the portraits I find myself taking for practical purposes: LinkedIn, passports, school webpages, etc.
With these imagines, in particular, I’ve played with the idea of “stacking” the face and the main subject of the other image (be it lighthouse or galaxy NGC1275 overlay data from the Hubble Telescope).
Students hike the cliffside where geological formations collide. On July 4th, let me compose an overly-ornate sentence about the season and the nation.
“Summer hiking in the North Country of America, at the edge of the Adirondacks: stripes of chlorophyll and aluminosilicate and tanninful water.”
If this week on Decaseconds has had a theme, it has been structures suspended over water at sunset. It has also been a week of long-exposure shots that live up to the site’s title. Hoards of gulls riding on the waves are reduced to weird ghost-blurs in the foreground of the San Francisco Bay Bridge, Yerba Buena, and the Port of Oakland.
Adirondack-meets-elven style in this bridge over the Grasse River. The lights seem inviting; that’s probably appropriate, given that this is the bridge connecting SUNY Canton’s campus with the town proper. (I’ve explored the connection from another angle in the past.)
Though the architectural style isn’t as apparent from this shot, I love the sense of multiple pathways vanishing to infinity: down the river or across the bridge. So many places to go and things to explore. (And some proper long exposure to merit this website’s name.)
Walking by Grasse River under a tree-shaded path sounds romantic. As overtly charming as the sunset hour can be, I find that I prefer the photographic version; there are a lot fewer mosquitoes.
Campus is (mostly) empty. The longboards and snowboards and ancient bikes are packed away. Any motion grabs attention—even shadows and lens flare.
