Three Views of Canton, New York

I upload pictures to be future Decaseconds posts as I find images I think are worthy. (Only the best for my readers.) During most of the year, a three-photographs-per-week pace keeps up with my new acquisitions. This fall, however, was a time of plenty, powered by my DJI Mini 3 Pro’s incredible range and low-light image quality. To keep up with demand necessitates a triple-play today.

Three views of Canton, New York begin with this image over the Grasse River, with islands in the foreground and SUNY Canton in the distance.

Reflections from the Grasse River at Sunset

Farther south, St. Lawrence University’s campus is lit up for the evening.

The Walk Home

And the quad by Kirk Douglas Hall looks warm and inviting. (It’s currently beneath a layer snow.)

The Quad by Kirk Douglas Hall

Tiny Figures and Big Rocks

Can you spot the tiny figures at the top of the hill? I’m confident that tiny figures produce a sense of grand scale in images—particular desert shots, like this one, where the inhuman nature of the place can make understanding the sizes of objects difficult. Nonetheless, I find myself wondering how small the figures in an image can be before the viewer loses the ability to recognize them as human.

Tiny Figures and Big Rocks

A Chance Return

Big changes are coming to the world of Decaseconds: Next fall, I’ll be returning to Trinity College (my alma mater) as their newest physical chemistry professor.

I took this picture of Trinity’s chapel, framed by foliage, as I packed up my car to leave at the end of my interview. Though I didn’t yet know what I do now (I’m going back there!), the warm breeze and familiar smells and satisfaction of a successful interview left me with a sense of calm, comfort, and peace.

A Chance Return

Water Escape: Coachella Valley

Coachella Valley is a desert that was once home to a lake, so careful management of water—both where it should go, and where it shouldn’t—leads to some fascinating human-engineered structures. I like this image for the sense of depth, but also for the way that the unmodified hills rise above the human-produced forms in the fore- and mid-ground.

Water Escape: Coachella Valley