HDR Photography
The eternally-damp shoreline of the San Francisco Bay is the fascinating meeting of quaint docks and maritime randomness with the aggressive mass of a full-scale city. Charming piers abut the grandiosity of the Financial District, and the result is a surreal and unique setting. Amid this hubbub, the Coit Tower and the Embarcadero stand out as red beacons.
The night is normally an amber-bathed fry-cooker for my mind. On this particular night last fall, however, high temperatures and a local power outage changed the hues of the world to the red-and-blue-and-white of emergency lights.
On the rocks of Grizzly Peak, nothing resets your soul like seeing the hills and trees towering above the hazy sprawl of Oakland.
Looking down over an intersection in the dead of night reminds me of staring at a moment without time. No cars, no one rushing in and out of the coffee shop. Everything is still. The perfect subject, then, for a photograph.
The enchanting lights and old quasi-industrial look of SOMA under the Bay Bridge capture the feel of San Francisco to me: the relationship with the bay, the sense of history-but-not-quite, and the constant crush of traffic just beneath it.
It’s no Golden Gate Bridge, but the bay bridge lit up at night is a pretty spectacular sight with the water lit up beneath it.
As shot from Pier 14, Coit Tower stands atop Telegraph Hill. Its white surface, in conjunction with colored lights, make it absolutely stunning to see at night. Such surreal objects can lack a suitable sense of scale when photographed. This photograph satisfies me so in large part because the homes clustering the hill provide that scale, and a sense of the familiar to match the alien.
Far along the beach, the Atlantic waves crash against Brazilian stone. The Sun has just dropped behind the horizon, and I’m standing on these steps beyond a strange little pseudo-bridge and this odd sculpture. To this day, I’m still not sure whether it’s functional, or purely decorative.
Charcoal grill, barbecue sauce, and enormous chicken thighs. The moment we slapped those bad boys on the grill, the first bits of fat made this massive flare-up. Not the best for smooth grilling, but so gorgeous in the camera’s eye.
Basically, it’s chicken from the depths of Mordor.
Just around the corner in my neighborhood, across the parking lot of the Energy Biosciences Building, is this little slice of Downtown Berkeley neighborhood. The mixture of tacky, earthquake-proofed 1960s architecture, charming older apartment buildings, abandoned structures, and sprinkling of trees make it home.
Today’s post comes courtesy of Colin Hill.
The last hints of unseasonable spring snow grace the ground, and the gently curving roads of the Berkshires make an amateur racetrack for the teenagers of the town.
Orange and blue may be the most overdone color combination for movie posters, but I’m more tolerant of the hues when when they spring natively from the night sky and the sodium lamps of a city. Something about the stone textures of big buildings really appeals to me.
(And if you look carefully, you can see Brendan, my fellow photographer, in the bottom of the picture.)
I live above a four-way intersection, and see three or four big crashes a year—typically from drunk drivers who run the red light. This particular night, however, saw insanity in the intersection due to a multi-hour power outage. The normally orange-hued nighttime tarmac was, on this night, lit only by headlights, emergency flashers, and road flares. It was all very strange, very surreal, and the perfect subject for a photograph.
San Francisco’s waterfront is really pretty spectacular at night. There’s so much color.
The water practically glows with reflected light. The buildings tower over the scene. The long exposure captures the trails of aircraft in the night sky. San Francisco’s waterfront along the Embarcadero may not have the most enormous and prestigious structures, but nights like this make that irrelevant. The scene makes “enigmatic” and “cyberpunky” into something almost friendly. (Or at least inviting.)
High atop it all is that fascinating golden penthouse structure. The visual similarity to a treasure chest must be more than coincidence.
Decaseconds 