During the Northeast’s last great storm, I ventured out with my camera to document Hartford’s response and the stillness of the city beneath a layer of sound-absorbing snow.
HDR Photography
When showing this picture of Trinity College’s chapel and Long Walk to a fellow alum, his first question was, “Where did you go to take this?” A near-lifetime of seeing the same perspectives from the same high points on campus made a shot like this one a complete surprise—a reaction that I’m always happy to provide.
The warm sodium glow of Trinity College’s campus by night—Clement Chemistry Building and Raether Library in the foreground, the chapel and the Hartford skyline in the background—highlights (in a literal, X-marks-the-spot manner) the contrast between being a student and a faculty member here. Though the same institution, the same general campus, I spend my time now in completely different places than I once did. A prime example is the X-marked courtyard between the two buildings—a place I walked through perhaps 10 times total as a student, but where I now pause for coffee with my colleagues nearly every morning.
The retro-futurist art of Simon Stålenhag places intimate, perhaps even old-fashioned scenes in the foreground of images with strange, alien machines in the distance. A lone pair of nighttime snackers waiting at a slab-sided friterie trailer in the environs of the authentically 1950s Atomium represented such a real-world manifestation of the phenomenon that I had to stop and capture the scene.
The scale of Belgium’s Atomium seems to be poorly captured in pictures—perhaps because it’s difficult to capture the structure and its surroundings together, or perhaps because the 102-m-tall structure so resembles something we might be more comfortable seeing at 10 m scale. The shrinking lines of sculptural lampposts helps a bit, but it’s night that I believe truly fixes the scale issue. See the band of red in the topmost sphere? That band is the array of full-length windows of the restaurant at the top of the structure, and the red light is the lighting inside.
The great glowing verticality of Bushnell Tower at night reveals the strengths in I.M. Pei’s original design.