Three Views of Downtown Seattle in the Summer

The year has nearly come to an end, and winter has finally arrived in the North Country, but before I look to the future, I wanted to take another look back at my summer travels to the West Coast, and particularly to Seattle.

An early morning stroll brought almost-empty streets and golden hues.

Seattle Bronze

The standard trappings of city life are a little surprising after a year spent in rural New York. Even this mild-mannered cab (particularly a Crown Victoria) looked like it had been placed by the crew of an about-to-begin film set.

Seattle Cab

The cheek-to-cheek connection of port and industry with everyday life surprised me the most. Ferris wheels and giant cranes share the water.

Seattle Wheel

Last Light on a River

Continuing my exploration of the capabilities of Aurora HDR from Wednesday, I processed this image from high above central Pennsylvania after sunset using that software and the Noiseless CK package to unbelievable results—that is, I literally could not have achieved this image with an acceptable level of noise using my earlier workflow. Though it’s still not perfect, I can’t stop examining the path of that river, lit by the last few photons of the day.

Last Light on a River

Portland Pearl Aurora

This is more than a vibrant, glowing, living moment of late-night city life from the Pearl District of Portland, Oregon; this picture is the first I’ve ever processed with a new piece of software, Aurora HDR. It was processed only with Aurora, with no other fiddling in other programs. (As you may know, I’m typically a die-hard Photomatix+Photoshop workflow guy.) I’m not sure what place Aurora will have in my workflow long-term, but I have to at least say this: its noise reduction algorithms are by far the best I’ve ever seen. (Noise is the main enemy of good HDR shots.) I’ll bring you a longer report when I’ve had more seat time with it.

Portland Pearl Aurora

Escape the Suburbs

The gradient from dense, urban (and suburban) areas to rural and natural settings is one of my favorite photographic subjects—and the subject of most of my favorite photographs. In this particular aerial shot from the in-between area over Pennsylvania, the sun has mostly set, leaving shadows and a few orange reflections in the overly ordered geometry of subdivisions. Down the winding highway, beyond the hills, in the less-dense and more agrarian land, the sun still casts a warm glow.

Escape the Suburbs