Transpacific

On Monday, Brendan showed you his view of the Golden Gate Bridge; today, it’s my turn. I was lucky enough to capture the moment an enormous container ship passed under the bridge on its way into the Pacific Ocean. The scale of both the bridge, and these behemoths of the ocean, shocked me when I first thought of it. I had been watching this ship for almost an hour as it maneuvered its way through the bay from the Port of Oakland, and as it passed Alcatraz, I realized that the island and the ship were nearly the same length! To then see the ship pass trivially under the Golden Gate was astonishing.

By this point in the evening it had started to rain, and keeping the lens clear was becoming increasingly difficult. I didn’t dare risk missing the moment the ship passed under the bridge, so I dried the lens, put the cover on, and waited patiently for just the right moment.

TransPacific

Pony and Rider

Last month, I had a chance to shoot Brighton Boast a Bit (a.k.a. Posey the pony) and Piper J. Klemm (the rider) as they practiced a bit at Show Park Del Mar. Capturing motion is a very different experience for me, given that I’m usually shooting some pretty static landscapes, but I particularly liked this shot of Posey looking a bit unhappy as Piper asks her to pick up the gallop. The swooshing tail really tells the story.

Pony and Rider

Ribeye Pyrotechnics

Christmas in the Hill household used to mean a big roast. This year, though, the allure of a perfectly-marbled ribeye overcame us, and we fired up the grill on a 20-degree Chicago evening. The flying sparks from the drippings were really captured in the HDR shot. There’s always something particularly strange and foreign in the quickly-varying flames when different brackets are composited together.

Ribeye Pyrotechnics

Sand Fortress

To the adults at the beach, it was December: the light was fading fast, the wind was a bit chilly, and every surfer had a wet suit. To the kids, though, it was summer. A day at the beach is always a slice of summer, with the wave splashes and ambitious sand construction projects to prove it. With the camera down at “kid height,” the beach stretches on forever and I faced a contest in which serious consideration was given to who had created the most imposing edifice.

Sand Fortress

At the Controls

UC Berkeley’s student machine shop has a truly fascinating collection of old machines that are still fantastically useful. (I’ve posted on it before.) This particular photograph is of a lathe’s controls–both those for moving the tool bit relative to the metal as well as those for the automatic feeds.

When everything I work with in the laser lab is computer-controlled, it’s refreshing to work with a machine that works entirely from a clever design of gears and cogs. There’s a solidity and strength in a device that is completely independent of interference from microprocessors.

At the Controls

The Span

The Bay Bridge connecting Oakland and San Francisco is actually a pair of bridges, resting for a moment on the island of Yerba Buena. Attached to Yerba Buena is the ironically-named Treasure Island, a man-made island composed entirely of fill. From there, photographing either the East Bay or San Francisco itself works out quite nicely. Today’s shot of the western span of the bridge has a bit of the unlit Yerba Buena outcropping on the left and the hyperintense lights of AT&T Park (home of the SF Giants) under the bridge. On this particularly clear night, I was thrilled to be able to capture it all without a thick slathering of fog.

The Span

The Milling Machine’s Altar

Berkeley has a Student Machine Shop, and my scientific experiments would never get off the group without it. I’ve lost track of the number of times that I’ve needed a part that has never before been made–I can only imagine in my mind what I need. I make some preliminary drawings, and I head up to the shop to machine this fantasy part from aluminum or, more rarely, steel. To see that form from my imagination slowly becoming reality is one of the most exciting experiences I’ve ever had. (It’s probably worth noting that I started as a sculptor before transitioning to photography.)

This particular photograph is of a milling machine, used to make planes, grooves, and holes in metal. In many ways, it’s a lot more flexible than a lathe (the other ubiquitous machine shop tool), but also a bit more threatening looking.

The Milling Machine's Altar

Oxford Research

Today, I’m posting another photograph of UC Berkeley’s greenhouses at their Oxford Research station. This area has a bizarre mix of well-maintained, modern facilities along with others that look as though they haven’t been touched since the 1960’s. The vibe reminds me a bit of certain levels in Portal 2. More than anything, it’s amazing that I was able to stand around in the parking lot of this fascinating place for 20 minutes taking photos.

Oxford Research

The Neighbors

I’ve always loved the little details of a gorgeous house–the tiny trim pieces, or the leaded glass windows. This particular shot reminded me of playing in the yard as a child. In the winter time, the sun set before dinner, so when the time came to head in, the house had this unearthly blue glow that made the warm light from inside so much more inviting.

The Neighbors

Hey, Surfer Girl!

This shot of a surfer in La Jolla, CA is another from near the Scripps pier that I featured previously here. The contrast between the reflection on the sand and the rough, concrete pier turned out pretty well, by my favorite part is also the one over which I had the least control: the surfer (and her brightly-colored board) just happened to be walking by. The whole scene just felt so classically “Californian.”

Hey, Surfer Girl

Crusty Ice

On the same day that I took this photograph, I found this awesome, half-frozen pond in the back of the forrest preserve. Though the sun was setting and the clouds were already picking up an orange-pink color, from this angle only the bluest parts of the sky were reflected. It had been above freezing for a couple of days, and the ice had melted to the point that it comprised two or three different textures. The brightness of those colors and the variations in the pond’s surface made for a nice contrast with the dormant and dead plants surrounding it.

Crusty Ice

Scripps Sky

A recent trip to San Diego gave me a chance to wander around the gorgeous La Jolla Shores neighborhood, home of UC San Diego and the Scripps institute. The salty air on the beach really speeds the degradation of structures; when you take that in combination with the minimalist concrete structures favored by UCSD, you can get some really dystopian looks. When you combine this with the traditionally “idyllic” beach, it makes for a disturbing contrast.

Scripps Sky