At the dawn of aviation, flight was magical. Then, it became routine. Now, after months in lockdown, a view above the clouds once again feels pretty special.
Cityscapes were the images that first really drew me to photography—those images with seemingly infinite detail. Zooming deeper and deeper reveals trees and cars and people down at street level. Surpassing the current limits in this respect will probably mean a new camera (or a real commitment to multi-shot panoramas.)
Very late last fall, we left the already-frigid upstate New York for a weekend in Napa.
During that trip, we visited the Bond-villain-esque Palmaz Vineyards. Almost the entire winery is underground in an 18-story cavern, using gravity to feed grapes and nascent wine from level to level. These enormous fermentation tanks are on a 24-tank rotating rail system so that each can be filled.
Even the dormant vines in “winter” give the setting an idyllic, “classical landscape” look.
While I was a student at Trinity, all of the lighting on campus was from orange sodium vapor lamps. The transition to white LED lighting has made a dramatic shift in the feel of the place at night, but the golden hue of the chapel here provides a little nostalgic taste of the one-time colors of the place.
When St. Lawrence University began in 1856, the whole school—classrooms and dorms and dining hall and offices—were all crammed into this one building: Richardson Hall. Since that time, a lot has changed about the school. Yesterday marked commencement for the Class of 2020 (virtually), left me thinking about the the history and future of the university.
Here is my Decaseconds partner in crime during our visit to Raven’s Run in Kentucky last summer. We were on a cliff high above the Kentucky River, getting our landscape photography fix.