A Return Trip to Brazil

New adventures in color grading have brought me back, much as I did with images from Spring 2012, to my Fall 2012 trip to Florianopolis, Brazil. Big changes in how I tackle challenging raw images have produced a drastically different outcome to my photoprocessing.

Quiet Alone at Dusk

The dark rocks and chaotic waves come through in a whole different way.

Dusk Waves Over Broad Stone

So, too, does this sculpture stretched over the water—the purpose of which, if there is one, I’ve still not ascertained.

Costao do Satinho Framework

There’s a sense of texture and place that a dark ocean and bright beach convey together.

Costao do Satinho and Its Beach

I can still remember wandering back to my room at the end of the evening, feeling like I was a visitor to an alien world.

Costao do Satinho International Grid

Tetrahedron in the Mud

AI-generated images have perhaps made us so inured to impossible images as to dilute the shocking impact of the truly surreal. Bombay Beach’s sculptures, planted in the shores of the Salton Sea, “floating” in the sky, truly look like nothing else I’ve ever seen.

Tetrahedron in the Mud

Hydroelectric Output

Colton, New York’s hydroelectric dam brings together dark, deep, deceptively passive water on one side and a raging torrent on the other. It’s perhaps a useful metaphor for the experience of preparing to leave a place one has lived for a decade. Visiting sites like this is also a reminder that sometimes I avoid exploring the interesting places near me until I’m preparing to leave the area; something analogous happened near the end of my sabbatical.

Hydroelectric Output

Skyhook Above Key West

The New York Times, ever the Gen Z style-watchers, have decreed 2000s-era point-and-shoot cameras and their attendant nostalgia to be the next big thing. I was inspired to go back to my own point-and-shoot-shot originals from the era, and uncovered some surprisingly good shots that I’d somehow never before considered. Just look at the tower-like cloud in this sunrise from a 2005 trip to Key West; how did I miss this shot?

Skyhook Above Key West

Water Escape: Coachella Valley

Coachella Valley is a desert that was once home to a lake, so careful management of water—both where it should go, and where it shouldn’t—leads to some fascinating human-engineered structures. I like this image for the sense of depth, but also for the way that the unmodified hills rise above the human-produced forms in the fore- and mid-ground.

Water Escape: Coachella Valley

July Fourth on the Water

We were in Traverse City, Michigan, during last year’s Fourth of July celebrations. Fireworks over the Grand Traverse Bay have some added drama, but the area is so far north (and west in its time zone) that the sky still hadn’t fully darkened.

Bicycles, Boats, and Explosions

After the main show has finished, private citizens produce their own displays up and down the beach.

Stochastic Trajectories

Tug Boat & Fireworks

Part of me wants to imagine that watching fireworks from the stern of a WWII-era tug would be a perfect summer experience… But another part wonders about the chipping paint and rust, hard corners and suspects that there might be some subtleties to perfecting the viewing location.
Tug Boat & Fireworks