HDR Photography
With dusk arriving earlier and earlier each day, I feel that the time is right to extoll the glory of clouds stretching off to an infinite (or at least periodic) horizon and the first hints of yellows and oranges in the sky matching the hues of the trees.
I suppose part of the reason that I appreciate landscape photography is its ability to capture a perfect, transient moment of incredible beauty. Of course, on some evenings (such as this one), the weather and environment just won’t cooperate. (I nearly titled this photograph “Boring Sunset.”) As photographer, I can put myself in the right place at the right time, but I still need reality to do its part.
Down the road (and an hour later) from here, the grass harvest was continuing into the pastel-hued evening. The particulates kicked up by their work made this sort of localized haze that refracted the last sunlight to these incredible colors.
The topology of central Oregon at sunset is really very special: the land somehow has that “falling away beneath you” feeling of standing on a hilltop, that “in the hollow” feeling of standing in a valley, and that “goes on forever” feeling of standing on a plain all at the same time. Combine this with the variety of surfaces and textures to experience (gravel, grass, tarmac, wood, lake, sky, woods), and the experience becomes some hyperdimensional superposition of places and moments in time. With just the right car for the particular evening, you have a recipe for perfection.
Outside Vancouver (the city) are the hillsides, dotted with homes and apartment buildings and, farther north, massive rocks. (That’s a pretty rare combination.) The difference between the soft, welcoming pink hues of the sunset and those massive hillsides (with some lovely evergreens in the foreground) is stranger, the more I think about it.
This picture also illustrates the biggest difference I’ve encountered since moving from the west coast to the east: the environments are less staggering and overwhelming, but the skies (and the buildings) are much more so. I’ve had to reorient the way I shoot to account for it.
Motel, bar, AND diner? What more do you need? The Cascade Inn and Restaurant in Canton, NY has that feel of a building from the post-WWII boom that has remained untouched since its construction. Its charming position over the Grasse River makes it a lovely place to see the sunset.
I love that time of the evening when the earth is dark but the sky is still blue with just hits of orange and red and the clouds have just a little pink hue.
I often talk about the “civilization gradient:” the distance required to go from high-density urban land all the way to empty, rural space. Depending on when a given area modernized and switched from, say, horses to cars, this distance can vary drastically. In “older” parts of the US, like the east coast, the gradient was largely established by feasible distances for travel by horse. On the west coast, an area largely developed after the advent of the car, this distance is usually much longer. The best exception to this is the Bay Area, where various parks around the “lip” of the Bay’s “bowl” effectively compress the distance.
In today’s photo, the whole array of Bay Area landscape is visible: the forests and trails along the peak, the industrial buildings of Lawrence Berkeley National Lab, the quasi-sprawl of Berkeley and Emeryville, and the full urban metropolis of San Francisco at the edge of the clouds.
The Sun never quite cooperates, even when it’s at its loveliest. Winter means stark sunsets behind the Golden Gate Bridge or San Francisco itself; summer typically means only foggy nights. This was a rare occasion with broad cloud-wings in the upper atmosphere, but in early summer, the Sun drops behind the hills to the north.
There are few better spots to catch a sunset from in the bay area than Grizzly Peak in the Oakland/Berkeley hills. When the sun’s going down, drive on up and stand on a stump to catch a glimpse of the show that is the evening sky.
Far along the beach, the Atlantic waves crash against Brazilian stone. The Sun has just dropped behind the horizon, and I’m standing on these steps beyond a strange little pseudo-bridge and this odd sculpture. To this day, I’m still not sure whether it’s functional, or purely decorative.
Sunset over Puget Sound are always something special (assuming its not too overcast!), with views towards mountains and the silhouettes of small pleasure craft anchored just off shore.
There’s something magnificent about the views around Vancouver of the hills and the water. There’s something even more amazing about those same views around sunset when the sky just absolutely fills with color. For these reasons, among others, Vancouver’s got to be one of my favorite places on this planet.
That and if you walk around long enough you start to recognize locales featured in MacGyver.
In the hills of northwestern Connecticut, little compounds dot the landscape–the remnants of centuries-old manufacturing or artists’ collectives. The dusk-laced sky and the craggy-tree skyline combine to produce a lovely picture of New England Americana.
I’ve previously spotlighted the gorgeous shades and cinematic landscape of southern Brazil, but in this particular photograph I feel I’ve captured the truly epic feel of the place. Rocky islands dot the coastline and comic book clouds drift through the gold-and-pink hued sky. I can’t imagine anything more gorgeous.
Decaseconds 