Tag: San Francisco

Lights in the Canyon

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San Francisco features this incredibly rapid transition from enormous, modernist towers to older, mostly wooden structures. This transition seems to be located, at least partially, along the divides between the flat portions of the city and the truly, insanely steep bits. Today’s photograph shows the full gradient between the two zones. I particularly like the two tiny figures, sitting on the steps, in the bottom right corner of the image. This tiny detail provides a little bit of a human element to an otherwise dehumanizing scale. They seem to be silent observers, casually taking in the flow of traffic as the sun’s last photons scatter through the atmosphere.

Lights in the Canyon

Red Trees

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On a recent outing to San Francisco I captured this shot of the these trees in the financial district. The red color and the way the lights were strung around the trees in a swirling pattern lead to a sense of motion, as if the trees have been set on fire. Its a very interesting effect which contrasted with the cooler colors of a nearby set of trees similarly illuminated but bathed in blue, not red.

Red Trees

Transamerica Pyramid

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It’s undeniable that behind the Golden Gate bridge and Alcatraz the Transamerica Pyramid is one of the most recognizable features of the San Francisco skyline. Everyone’s used to the view of it embedded in the skyline but it looks completely different when viewed from the base, a less common perspective. It actually gives the impression of exaggerated perspective when viewed from the street beneath it, sort of like it disappears into infinity.

Transamerica Pyramid

Spaceship

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OK, so not a real spaceship but it does sort of look like something out of an episode of Dr. Who, doesn’t it? I caught this one in downtown SF the other evening. The lighting on the building really caught my eye but only once I was directly underneath it. I captured this shot, which I think is very interesting to look at, and thought I’d share.

Cool Lighting SF

Rainy Day Bridge

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Today’s photo, taken just as the rain started to pick up in the Marin Headlands, is one of my favorites. The alignment of this little bridge to the Golden Gate itself, the harbor, the construction equipment, with Angel Island and the rest of the North Bay off in the distance: it all provides a sense of scale and perspective. The way the warm sodium lamps contrast with the colors of the evening bring your eye to the bridge and its gorgeous structural steel. Rigid geometries contrast with the fuzzy plants of the hillside. This is a picture I want to crawl inside.

Rainy Day Bridge

View From the Hills

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The hills that rise above Berkeley and the east bay are home to some of the most spectacular vistas — when the weather is nice. On this particular day we were just lucky enough to get a patch of blue sky peaking through the bleak grey clouds, which was enough to completely light up the east bay while leaving the gloom looming over the city.

East Bay From the Hills

Antique Face

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The face of this massive grandfather clock comes from the Legion of Honor museum (from which I’ve posted some one of my other favorite shots). The level of craftsmanship exhibited (both in the clock face, and the Legion in general) is just overwhelming. The detail makes me think of some sort of grand alethiometer. My favorite feature, though, is the way the contrast brings out the enscription, “solem arte equor.” If my very rusty Latin is correct, this roughly means “sun by the sea.” Given the Legion’s gorgeous surroundings on the Pacific Ocean, I think it’s quite appropriate.

Antique Face

Fireworks and the Campanile

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And now a quick holiday bonus. I wanted to get this one out while it was fresh in my mind: the glorious experience of watching half a dozen Fourth of July fireworks shows simultaneously. It’s moments like this, gazing over the bay and its gorgeous lights, that I really appreciate living here.

Fireworks and the Campanile

Port, Bridge, and City

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Whenever Photomatix releases an update, I like to go back and see what I can do with old RAW files and new software. This shot is a little bit older now, but I fell in love with the way it captures so much of the Bay Area in a single image: the Port of Oakland on the left, bits of Berkeley on the bottom-right, the Bay Bridge and Yerba Buena in the center, and San Francisco itself on the right. For so much of the year, the sky is absolutely clear until the marine layer blankets the bay in fog. The fog was just sliding over the hills as I took this shot; in a few minutes, the city had disappeared.

Port, Bridge, and City

Golden Grid

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Here’s the exciting secret of photographing the Golden Gate Bridge: because of the cruel nature of geography, there is exactly one bluff from which to get reasonable pictures of the bridge. Greater than 80% of all Golden Gate Bridge photographs in existence are from the same place (with another 10% coming from the city side.) On any given evening, you’ll see dozens of photographers clustered in the Marin Headlands, set apart only by small differences in compositional preference.

The most interesting thing I discovered in taking pictures of the Golden Gate Bridge, however, was that there is an enormous fence corralling the area. Just as most pictures use a similar angle to incorporate most of the bridge, most pictures also carefully crop away this fence. There are also myriad holes in the fence where rebellious souls have cut spots to poke their lenses through. I was most interested by the interplay of the curving fence links with the solid, glowing form of the bridge. In a way, I think today’s shot paints a truer picture of the sometimes compromised (but always gorgeous) experience of photographing the Golden Gate Bridge.

Golden Grid

This Is Why I Came to Berkeley

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I’ve posted previously on the benefits of Berkeley’s gorgeous campus (and particularly the top of the Chemistry complex.) Today’s shot of Piper relaxing in the sun is perhaps the purest representation yet of how amazing a break can be. Any moment away from the lab bench is heaven when you have a view like this. (Or the right playlist.)

This Is Why I Came To Berkeley

Guarding the Gate

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I previously posted a narrower shot of this heavily-graffitied gun battery in the Marin Headlands. It really is incredible how much time and effort have gone into layering art on top of a concrete structure that began as so monolithic and practical. Adding in the encroaching pine needles makes for one Hell of a juxtaposition.

Guarding the Gate