Double Exposures

As with my photograph of the Seattle Public Library, I’m exposing my inner hipster with these images. Double exposures had an element of serendipity and excitement when they originated from film cameras. I guess I’d call these more studies or experiments in how to bring together the landscape images I’ve enjoyed creating with the portraits I find myself taking for practical purposes: LinkedIn, passports, school webpages, etc.

Tower Inside

With these imagines, in particular, I’ve played with the idea of “stacking” the face and the main subject of the other image (be it lighthouse or galaxy NGC1275 overlay data from the Hubble Telescope).

Starman?

Edge of the Big Forest

In this particular corner of Connecticut in early spring, the rain and snow combined to make the perfect storybook fog. This image is so quaint and charming, I could swear I’d seen it somewhere before.

But this brings me to another idea: those particular locations in landscape photography so scenic that they are literally ubiquitous. Take the tunnel view in Yosemite, or shots of the Golden Gate Bridge from the Marin Headlands, or downtown Manhattan as seen from the top of Rockafeller Center as examples: is it even possible to make an original composition from such a photographically saturated place? But these places are also photographically saturated for a reason: they’re really, really pretty. Where does that trade-off between originality and beauty fall?

Edge of the Big Forest

Sinister Ginko

The days just after Thanksgiving hold still, quiet moments; the early morning fog was thick, viscous, and sinister as the fairy tale stuff. The poisonous-looking red berries, the gnarled tree limbs, and the mysterious lamposts all seem plucked from the forests of Fillory. The somewhat shallow depth of field makes it particularly surreal.

Sinister Ginko

Red Trees

On a recent outing to San Francisco I captured this shot of the these trees in the financial district. The red color and the way the lights were strung around the trees in a swirling pattern lead to a sense of motion, as if the trees have been set on fire. Its a very interesting effect which contrasted with the cooler colors of a nearby set of trees similarly illuminated but bathed in blue, not red.

Red Trees