There is more than one statue of Franz Kafka in Prague, but this mirrored head with rotating segments (see the motion blur at the jawline) was the most dramatic I visited. At the time, the head was, naturally, the most surreal aspect of the location. In the present, the crowds of people on the night street (also visible in the reflective base) are perhaps more shocking.
Much like Manhattan’s Central Park, Prague’s Petřín is (in part) a demonstration of the will and effort required on the part of a city to maintain green spaces. Once they become part of the city’s identity (as in those aforementioned cases), they exist in a space orthogonal to modern real estate development.
St. Vitus Cathedral is at the heart of Prague Castle and just as grand as words like “cathedral” and “castle” imply.
Inside was thoroughly saturated with visitors.
By comparison, much of the rest of the castle seemed empty. Given that this was the winter “refresh and repair” season, we weren’t surprised.
Though additional cemeteries in Paris were banned in the late 18th century, the Montparnasse Cemetery was opened in 1824 because the area had not yet been incorporated into the city. Today, it’s an odd dark space in the otherwise bright city. The idea of adjacent blocks belonging to graves and apartments has a polite kind of symmetry.