HDR Photography
There is more than one statue of Franz Kafka in Prague, but this mirrored head with rotating segments (see the motion blur at the jawline) was the most dramatic I visited. At the time, the head was, naturally, the most surreal aspect of the location. In the present, the crowds of people on the night street (also visible in the reflective base) are perhaps more shocking.
This corner of Prague Castle is in an area historically home to women of the castle; I can’t imagine the experience, a couple of hundred of years ago, of dressing in the morning with the view of Old Town across the river.
Much like Manhattan’s Central Park, Prague’s Petřín is (in part) a demonstration of the will and effort required on the part of a city to maintain green spaces. Once they become part of the city’s identity (as in those aforementioned cases), they exist in a space orthogonal to modern real estate development.
St. Vitus Cathedral is at the heart of Prague Castle and just as grand as words like “cathedral” and “castle” imply.
Inside was thoroughly saturated with visitors.
By comparison, much of the rest of the castle seemed empty. Given that this was the winter “refresh and repair” season, we weren’t surprised.
The Vltava River turns every cityscape of Prague Castle into a dramatic set of reflections.
Looking onto the scene from the Charles Bridge, those reflections seem to be all around.
After a cloudy week in Prague, our final day brought an incredible sunset over the Vltava River.
The old buildings of Prague change at a glacial pace, as this tunnel through a building reveals. The pattern of the taillights, however, reveal the recent vintage: that saw-like pattern can’t be formed by old-fashioned incandescent bulbs, but rather by the rapid on-off of LED hardware.
From the clock tower above Old Town, Prague Castle is visible in the distance continuing its hilltop vigilance over the narrow streets.
I have no idea why Paris lines the highly trafficked paths around the Eiffel Tower with light gravel footing that turns to thick white mud with the slightest presence of weather… But it does make reflection shots like this one possible.
Though additional cemeteries in Paris were banned in the late 18th century, the Montparnasse Cemetery was opened in 1824 because the area had not yet been incorporated into the city. Today, it’s an odd dark space in the otherwise bright city. The idea of adjacent blocks belonging to graves and apartments has a polite kind of symmetry.
Decaseconds 