Shot of Mile Rock Beach on a typical San Francisco summer day.
Tag: Marin
Redwood Creek Is Calm on a Rainy Morning
Druid Country
Though it’s hours downstate from where George Lucas found his forest moon of Endor, Muir Woods packs the same enormous, wet redwood trees and lush vegetation that made the fictional planetoid so memorable. To have “spent” so much of my childhood wandering around on that other world (in my imagination), only to find myself really there, proved to be a spectacular treat at the end of my time in California.
Pacific Overlook
Mist in the Clearing
The stunning, overwhelming, almost-heartbreaking Muir Woods National Monument in California has become a photographic cliché. (Thanks, Ansel Adams.) That doesn’t prevent me from discovering something new in every corner and every moment. The incredible contrast of scale between ferns and sequoias twists the mind, and the quiet, misty paths (early in the morning anyway) transport you to an overwhelming alternate world.
Purple Haze
Crashing California Cliffs
Not far from Muir Woods, the Pacific coast cliffs of California are a starker, steeper, and foggier place than I expected. The nearly sheer cliff face, the scraggly trees hanging on for dear life, and the weather- (and person-) beaten railings make the whole place feel mythical. The fog density hit just the right soupiness on this particular day; we could just barely see and hear the waves crashing on the rocks below.
California Cthulhu
Early in the morning, before another human has arisen, in the fog and rain and the sound of crashing California surf, the cliffs of Marin are strange and alien and haunting. They stagger out of the fog, all stunted shrubs and jagged rocks and decaying 20th century gun emplacements. I’ve always rather fancied the idea that America kept expanding until they reached the end of the continent, where the cliffs and the alien landscape drove us all a bit mad.
Golden Gate at Dusk
Going back through old photos is always a trip. This particular shot reminds me how far I’ve come in the past year. At the time I don’t think I thought anything of this picture but now looking at it I really like the contrast between the colors in the sky and the darkness falling over the bay and the silhouette of the Golden Gate Bridge. The clouds rolling in from the ocean also add a neat effect.
Rainy Day Bridge
Today’s photo, taken just as the rain started to pick up in the Marin Headlands, is one of my favorites. The alignment of this little bridge to the Golden Gate itself, the harbor, the construction equipment, with Angel Island and the rest of the North Bay off in the distance: it all provides a sense of scale and perspective. The way the warm sodium lamps contrast with the colors of the evening bring your eye to the bridge and its gorgeous structural steel. Rigid geometries contrast with the fuzzy plants of the hillside. This is a picture I want to crawl inside.
Transpacific
On Monday, Brendan showed you his view of the Golden Gate Bridge; today, it’s my turn. I was lucky enough to capture the moment an enormous container ship passed under the bridge on its way into the Pacific Ocean. The scale of both the bridge, and these behemoths of the ocean, shocked me when I first thought of it. I had been watching this ship for almost an hour as it maneuvered its way through the bay from the Port of Oakland, and as it passed Alcatraz, I realized that the island and the ship were nearly the same length! To then see the ship pass trivially under the Golden Gate was astonishing.
By this point in the evening it had started to rain, and keeping the lens clear was becoming increasingly difficult. I didn’t dare risk missing the moment the ship passed under the bridge, so I dried the lens, put the cover on, and waited patiently for just the right moment.
Sunset Over San Francisco, Round I
Grizzly Peak, in the hills above Berkeley, is a great spot to get photos of San Francisco–if the weather cooperates. Though it was a bit foggy on this particular day, it afforded a great chance to see some interesting shadows. San Francisco itself is just visible beneath the sun.
This is also a great instance of just how useful HDR can be, as a technique; sunset images without tone mapping typically require the foreground to be completely silhouetted.











