An ice storm has transformed campus; I’ve never seen it this beautiful. For the folks in admissions (like the tour guide and family in this photograph), that must be a boon!
Category: Canton
Kingdom Night II
Real Winter Arrives
Real winter arrived with a horrible stillness. When the temperature is -25ºF, nothing moves and nothing melts and every bit of solid water stays just where you leave it. Even the tiny twigs and branches were stuck in its embrace.
I wanted to look back briefly on the structures of St. Lawrence University’s campus under lockdown from heavy snow. The oldest buildings, like Herring-Cole Hall, are naturals.
This little shed is in odd scale with the buildings around it, but its little puddle of light fits perfectly with the evening.
I’ve always grown to love the mid-twentieth-century buildings like the ODY Library. The lights, snow, and scaffolding among the trees put me in mind of Soviet science fiction.
Here is another example from around the same time period, Bewkes Science Hall. In my mind, authors of speculative fiction must be hiding behind the drawn blinds and imagining snowy, cyberpunk futures of the late 1990s.
North Country Gateway
Away from the village centers, the North Country is frozen at an odd point in development. The original farms of early settlers haven’t been completely removed, but not much development has continued past that point. Trailers were installed by the sides of hot-mix roads and everything stopped there. I’m fascinated to think what this area must have been like during the late 1940s—population returning as the nation demobilized, and those people changing things in the North Country. Things don’t seem to change as much now.
Midwinter Llama
The Balloon Operator
Tree Rivals the Steeple
End View
Winter Moon and Lights
Stark winter nights, the kind with a handful of clouds and a lot of bright stars, seem to be when I spend the most time shoveling my driveway. Might as well do a long exposure or two while I work, right? I particularly like the tree in the center of the image that has been completely lit by the adjacent streetlight: it seems otherworldly and special when compared to the other silhouetted trees.
Snow Storm in the Backyard
Snow was falling last night. The small houses with highly peaked roofs and additions out back are a characteristic of this part of town, where the mill workers once lived. The wood sheds are another notable characteristic of an area where many people use only wood stoves to heat their homes in the winter.
Print Rollin’
When the time came to make the really big prints in Prof. Melissa Schulenberg’s Advanced Printmaking course at St. Lawrence University, only a steam roller had significant- and even-enough pressure to produce the best result. The breezy afternoon, the green foliage, and the bright yellow steam roller on a placid college campus makes for one serious juxtaposition in the middle of winter.
Golden Wedding
St. Lawrence University’s Herring-Cole Grove (a.k.a. the “Enchanted Forest”) in autumn is flush with golden leaves that carpet the ground and frame the sky; this makes the perfect compliment to the Gunnison Memorial Chapel from which these two just exited. I can’t help but be grandiose when remembering a day like this one.
The Bride at the Reception
This fall, I photographed my first wedding. When the wedding ceremony has finished, and the speeches had been made, the reception/party got into full swing. I’m particularly charmed by the way the flash lights up both the bride’s dress and the label of the Champagne in a room otherwise dominated by warm, earthy colors.
Winter Street
Photographs with late-model cars and trucks have always been an odd challenge to my photography; they tend to appear as ugly, pedestrian chunks that I try to avoid in otherwise charming scenes. (The world has enough documentation of Toyota Corollas and Ford F-150s.) However, when I look back on old photographs from the mid-twentieth century, it’s inevitably the cars and the clothes of the past that are the most charming aspects. The common-car-filled images that I capture in the present must be a sort of investment; the boring cars of today will make this image a classic document of everyday life in 30 years.

















