College of Chemistry

UC Berkeley’s College of Chemistry is truly massive, occupying five interlinked buildings in a massive complex (with tendrils reaching out to half a dozen other buildings.) Even the courtyard at the center of the complex actually functions as the roof for two more floors of subterranean lab and office spaces (including my own.) From an aerial photography context, I suppose you could call this my self-portrait.

College of Chemistry

Cabin Complex

At the core of the enormous lecture halls and lab spaces that dominate UC Berkeley’s campus, buildings like the Faculty Club (on the left) and Senior Hall (on the right) perch on the edge of Strawberry Creek. The log cabin was built in 1906, and is home of the Order of the Golden Bear. It’s also the only privately-owned and -maintained building on the campus, and its darkened windows are enigmatic when evening creeps around the university.

Cabin Complex

Berkeley and the Rainy Hills

True, Eastern-Seaboard-style storms are a rarity in the Bay Area. When the weather obliges, there’s no better place to experience the full brunt of a storm than the Campanile tower. Battered by the wind and enormous raindrops, I mentally thanked engineers for the weatherproof camera body and grabbed this three-exposure HDR shot. Angry clouds dwarf the Eastern edge of Berkeley’s campus. On the left, you can see the College of Chemistry and the Lawrence Berkeley National Lab. In the middle, the Haas School of Business, Strawberry Canyon, and Memorial Stadium. On the right, the College of Environmental Design and the International House. The heavy rain makes every color so much darker and more intense.

Berkeley and the Hills

Modern Texture

UC Berkeley’s Energy Biosciences Building looks pretty awesome at sunset and has a great staircase. More of that surreal, futuristic staircase is on display in today’s photo. What I really like about this image, though, is the sense of texture that it gives. The polished, precast concrete floor, the wood ceiling, the thick glass windows, the brushed steel of the elevator: every material is used in a way that best emphasizes its physical properties. The mixture of matte and gloss, rough and smooth, makes it at once a sophisticated and welcoming space.

Modern Texture

Hearst: Inside and Out

Today is a rare double-post, featuring my favorite structure on Berkeley’s campus: the Hearst Memorial Mining Building. This beaux-arts-style hall was finished in the early 20th century, and I find it particularly notable for two reasons (beyond just being aesthetically pleasing):

1. The interior atrium reminds me of the Bradbury building, and I get a fantastic cyberpunky (see Blade Runner)/steampunky (see Steamboy) tingle every time I step through the doors.

2. The building was updated in a seismic retrofit from 1998-2003, yet is still just as gorgeous as ever. This is a case of a putting a lot of effort into saving a building that is worth saving, and doing it in a way that doesn’t obliterate the elements of the building that were so appealing to begin with.

Hearst Edifice

Just pass those enormous, varnished wood doors is this stunning atrium. Today, I’m showing only a small part of it. Come Friday, I’ll offer a wider view of the space.

Hearst-punk

Big Science Moon

This was the scene over the Berkeley hills last week, as a massive full moon rose over Lawrence Berkeley National Lab. You could practically hear scientists howling, but I suspect that was more because their experiments weren’t working than because they were werewolves.

Given all of the processing that goes into producing an HDR image, I can’t exactly say that this image “hasn’t been Photoshopped.” When you get right down to it, every single image receives some sort of post-processing, even if it’s just to bump up the contrast. What I can say, however, is that the size of the Moon has not been artificially enhanced. Our celestial cousin really was that gorgeous and enormous on this particular evening.

Big Science Moon

Power Out: Scene of the Crash

I live above a four-way intersection, and see three or four big crashes a year—typically from drunk drivers who run the red light. This particular night, however, saw insanity in the intersection due to a multi-hour power outage. The normally orange-hued nighttime tarmac was, on this night, lit only by headlights, emergency flashers, and road flares. It was all very strange, very surreal, and the perfect subject for a photograph.

Power Out: Scene of the Crash

Sinister Ginko

The days just after Thanksgiving hold still, quiet moments; the early morning fog was thick, viscous, and sinister as the fairy tale stuff. The poisonous-looking red berries, the gnarled tree limbs, and the mysterious lamposts all seem plucked from the forests of Fillory. The somewhat shallow depth of field makes it particularly surreal.

Sinister Ginko

Bokeh Bus

The bus is inherently uncomfortable: the seats are too hard, the surfaces feel like too many other people have touched them, and the other passengers come with a side of freaky west coast aggression. All of that misery is forgotten late at night; an empty bus ferrying me home is such a calm respite from the sodium-lamp misery of the outside world.

Bokeh Bus

Effusion Cell II

This is another photograph from a lab in the Charles Harris Group at UC Berkeley. I previously photographed this effusion cell apparatus from an orthogonal orientation, but I also found this shot at its long axis intriguing. The sense of complexity and purpose, but also the sense of aesthetic minimalism, always attracts me to physics apparatuses.

Effusion Cell II