A whole vineyard is nestled into a horseshoe bend in the South Elkhorn Creek outside Midway, Kentucky.
Author: adohertyh
Hartford is Where the Rainbow Ends
Return Flight, Almost Night
A Trinity Hawk Watching Hartford
Connecticut Capitol, Miyazaki Mode
Sphère d’isolement S2
This view of the future was on display at the Design Museum Brussels and I immediately understood why the transparent shield was in place to prevent visitors from climbing inside and teleporting to another dimension.
MAURICE-CLAUDE VIDILI (1937)
Sphère d’isolement S2
Unité d’habitation – Wooneenheid – Habitation unit 1971
Les Plastiques de Bourgogne (FRA) GRP, PUR, electric circuit, metal.
The Empty (But Clean) Pond in Bushnell Park
The benefit of living in a beautiful place is finding those days when (i) a beautiful location and (ii) charming lighting and (iii) special circumstances align. On a perfect late-summer afternoon, the pond in Bushnell Park is just finished its cleaning and repairs and has had its bottom protected with a layer of large stones. This is sort of a once-in-a-few-decade chance to capture the odd site of the dry pond.
Futuristic Electronics of the Past
As games like Cyberpunk 2077 and recent shows like Andor have demonstrated, the appeal of devices that were designed to be futuristic, but during eras now left in the past, is revealing a kind of desire for an alternate history—a world in which this became the future.
A dictaphone is a fascinating example—a sleek, technological device for an era in which one would have had a secretary to transcribe their dictations.
Minitel terminals, in particular, speak to an alternative world that might have existed in place of the World Wide Web we experience now.
Great Falls Reservoir
Atelier NL Drawn from Clay (Soil Samples 2015)
This array of clay samples on display at the Design Museum of Brussels was made from soils collected from around the Netherlands and Germany. Though the variety of tones are are of course interesting, I’m most drawn (as a materials scientist) to the varying amounts of shrinkage experienced by each piece upon firing. Differences in the microscopic structure of the underlying clay bodies prior to firing (e.g., amount of moisture) likely contributed to macroscopic differences upon firing.
Unless the original samples were different sizes. But given the rest of the homogeneous approach (even down to the identifying stamps in each), I’d be awfully disappointed in the artist if that were the cast.
Lunch on the Elevator of the USS Midway
Mechelen Boat
Landscape Chunks, Textures, and Variations
The riotous multilayered landscapes of artists like Raoul Dufy and Maurice de Vlaminck always fascinated me: how could so many different textures of farmland and hillside really coexist? Then I flew over Midway, Kentucky to see an array of fields that created exactly the same layer-upon-layer multitextured expanse.















