HDR Photography
Costao do Satinho fills almost an entire end of Florianopolis’s island, and the hotel pictured here represents just a small bit of it. There are villas and beaches sprawling out over acres. Still, this part (at night) was one of my favorites, with its 1960’s style and very jet-set-minded architecture. This is a place that caters to a group from the past.
Little pockets of calm exist all over Berkeley’s hustling campus, but Strawberry Creek on a rainy day is a particularly superlative example. The leaves and water take on this lovely green that perfectly offsets the red needles from the Redwoods above. Against this palette, the textures of the mud and roots are all the more striking.
Evening is finally rolling around, low tide has rendered the waves gentle, and the beach is pockmarked by the day’s footprints. If you let yourself get lost in the sky and the mild surf, the sights of people disappear and the mind wanders into the sea.
Saturday isn’t a normal posting day, but I was so excited by this shot that I thought I’d bring you guys a bonus. I’m currently in Florianopolis, Brazil, home of (they claim) the best surfing in the world. The waves weren’t quite that impressive yesterday, but they were pretty close. The blue green-ocean, black rocks, and golden barnacles make for the perfect “Royal Surf.”
Walking through the forest with family on Christmas day always has a special crispness to it. The roads are deserted, the days are short, the trees are bare. If the weather is chilly, the whole experienced is sharpened with red noses and warm drinks afterwards. That was the experience on the day I took this photograph.
Today’s photograph was taken by Piper Klemm (who has previously been on the other side of the camera), and really conveys the way quads and paths carved into the trees of Berkeley’s campus. The flow of students between classes gives the image the “campus” feel.
Berkeley’s college radio station, KALX, recently had me in the studio for an interview about one of my other projects, the Berkeley Science Review. While I was there, I snapped a few shots of their mammoth 100,000 record collection. The size of it really was staggering; it’s sort of amusing to remember that it could all fit on a couple of cheap hard drives. What would be missing, of course, would be the gorgeous, enormous album art and the feeling of vinyl in your hands.
This little canyon ends at the beach, and its miniature stream flows back and forth with the tides. On this particular evening, it was starting to rain as the sun set through the clouds. The beach was abandoned, and whole scene felt post-apocalyptic.
Though Woodside is a particularly lovely place to begin with, my favorite photographs from the show were from the jumper ring. In the same event that produced this shot, there was more than just jumping. The event is timed, and the agility and speed of the horse/rider team is apparent as they hussle around corners on loose footing.
An enormous, moss-covered stone mediates the meeting between pathway and stream, deep within the Nitobe Memorial Gardens at the University of British Columbia. Though the calm pond and the massive entrance have given a broader idea of the Gardens’ feel, I really like the calmer, more compact corners. These little areas seem like the perfect place for a kami to live.
Today’s photograph comes from the lobby of the newly opened Energy Biosciences Building, where I was lucky enough to get a late-night tour. Here, scientists and students focus on the problem of developing next-generation energy solutions, including biofuels and solar power. Though it will soon be bustling with life, the building is presently occupied by empty offices and cubicle skeletons. The modern surfaces, all wood and glass and brushed steel and matte concrete, really convey the mission.
Tower cranes are, without question, the coolest pieces of modern construction equipment. In order to reach these heights, the cranes actually lift and build themselves! This particular crane is working on building the replacement to Campbell Hall (which we’ve previously photographed being demolished.) On this particular morning, the clouds aligned in just the right way with the arc of the crane and produced this composition.
Today’s photo, taken just as the rain started to pick up in the Marin Headlands, is one of my favorites. The alignment of this little bridge to the Golden Gate itself, the harbor, the construction equipment, with Angel Island and the rest of the North Bay off in the distance: it all provides a sense of scale and perspective. The way the warm sodium lamps contrast with the colors of the evening bring your eye to the bridge and its gorgeous structural steel. Rigid geometries contrast with the fuzzy plants of the hillside. This is a picture I want to crawl inside.
This is the lovely entrance to the Nitobe Memorial Garden at the University of British Columbia. Brendan previously showed you some views from farther inside, but there’s something about the entrance itself that is particularly lovely.
Part of my attraction must certainly be from all of the anime and manga I consumed as a teenager, but even when considered objectively, the garden is gorgeous. I first thought it a bit contradictory to imagine a serene place to be overwhelming, but that was just the experience when I walked into the Garden.
Another from my series of photographs from UC Berkeley’s student machine shop: the autofeeder of a practically-antique milling machine. I love the gold colors from the machine’s recent work in cutting brass, and the was it smears into the other tones of steel and plastic.
