HDR Photography
One of my favorite images, taken in 2017, captures a person watching the Bay Area sunset from Grizzly Peak. When Photoshop’s new Super Resolution processing brought me back to some of my images from the same vantage in 2013, I was surprised to realized that I had already captured a very similar image. The difference between the burned-out foreground of 2013 and the lush grasses on 2017 is particularly interesting.
Kentucky Horse Park has a bit of a “Jurassic Park” vibe, but going for a stroll on a spring afternoon is far less likely to result in being devoured by a velociraptor.
The world of English riding has a history of recruiting Thoroughbred horses rejected from the race track to be hunters and jumpers. Though the preference for warmbloods has made this practice a bit less common than it used to be, Thoroughbreds continue to make it into the hunter world. This particular horse was just a few weeks away from time on the track.
The hills south of Berkeley, California just keep rolling—hill after hill after hill.
While there’s a real island in the distance on the left side of this image (Angel Island, in this case), the steep Grizzly Peak hills and the road over them transform hilltops into “tree islands” like the one on the right.
The smooth, glossy coats of horses are no accident—they are body-clipped during the warmer months. Between combing and body-clipping, there is ample opportunity for cool patterns (as in this three-day eventing competitor at Land Rover Kentucky.)
More adventures with Photoshop’s new “Super Resolution” machine learning algorithm, which quadruples the resolution of a processed image: a view of Berkeley and San Francisco from Grizzly Peak.
This uninhabited island sits at the center of Canton, New York. While it’s currently a park, the ruins on the island indicate its past as the site of water-powered mills that processed the products of the surrounding farmland. I’m still discovering more of its history, but I’m fascinated by the process that could lead an entire section of a town to be abandoned.
At Land Rover Kentucky Three-Day Eventing, the dressage portion of the competition takes place in this tightly constrained box that, rendered against the footing of Rolex Stadium, looks like some surrealist dreamscape.
Kentucky Horse Park is an almost unreal expanse of stables, rings, and fields. During Three-Day Eventing, those fields are converted to a cross-country course.
This image is my submission to the Spring Photo Contest being run by Grasse River Heritage; the river and its associated park are its subject. I delight in being asked to work under requirements—in this case, both a subject and a time of year—because I feel it focuses me. I get to achieve something specific, which adds some delightful pressure to flying my quadcopter around the island.
I’ve heard that the Land Rover (previously Rolex) Kentucky Three-Day Eventing competition is the sport’s largest and most prestigious. In spite of that, no spectators were allows this year; the glowing press box looked pretty lonely in a darkened, empty indoor.
The “let’s enhance” action continues with this image of Berkeley’s College of Chemistry, Strawberry Canyon, and South Campus from the top of the Campanile. It holds a special place in my heart because it shows the entire terrain I traversed going to and from work during my first year in grad school.
Extracting additional information from an image by “enhancing” it has long been a ridiculous trope of police procedurals; it’s with great amusement that I noticed that Photoshop’s new “Super Resolution” capability (which uses machine learning to quadruple the resolution of an image) is under an option called “Enhance”. The first subject for enhancement was this picture I took of Berkeley and San Francisco in 2011. It’s worth the click-through for the full resolution version.
(Adding to the super-resolution theme, this image also contains, in the lower-center, the Molecular Foundry and its associated center for electron microscopy.)
St. Lawrence’s campus emits white light at night, while Park Street uses orange sodium lamps.
