Sunrise over northern Kentucky, when captured from a drone, seems to present layers on layers (creek/patio/driveways/vines/forest/interstate/forest/sky) that look like an ukiyo-e print.
Tag: photography
Lake and Subdivision
Dawn on Interstate 64
Good news, everyone! A new, much-lighter, yet equally capable drone (the DJI Mini 3 Pro) means aerial photography while traveling in a way that was never possible with my chunky Phantom 3.
In today’s image, northern Kentucky presents a classic American combination: old barns and farms, crossed by the monolithic expanse of the Interstate system.
Colorado Crossroads
Just as any sufficiently advanced technology is indistinguishable from magic, I likewise suspect that any sufficiently populated crossroads is indistinguishable from a town.
Pyramid at Sea
Today, a completely different view of the tetrahedral sculpture at Bombay Beach that I’ve showcased previously. I really find this thing fascinating; placing it in greater landscape context takes away none of its surreal presence.
THE ONLY OTHER THING IS NOTHING
Moments Before Sunset Over Glencrest
This incredible summer sunset view over Glencrest Farm in Kentucky came at the perfect time to test out my new lens: a 70-200 f/2.8 (the “classic” sports photography lens) for my Sony a7R IV. Though I had such a lens for my Nikons years ago, updating all of my glass for the new camera has, of course, been a process.
Stuck in the Salton Sea
Even might Jeep Life™ has its limits, as this Wrangler found at Bombay Beach. The Salton Sea is an artificial body of water in a valley that was once home to an ancient ocean, and the result includes these large flats made from the calcium carbonate skeletons of long-dead sea creatures. Though the outer surface may look like a desert—and the dry surroundings might support the assumption—this is really just a thin crust, below which is a lot of mud.
I’m guessing this kind of thing happens regularly, because the entrance ramp to the beach included multiple signs with telephone numbers of locals offering to pull people out if they get stuck—for a fee, of course.
Morning Light on the Grid
Pyramid in the Water
Red Eyes of Wind Turbines
July Fourth on the Water
We were in Traverse City, Michigan, during last year’s Fourth of July celebrations. Fireworks over the Grand Traverse Bay have some added drama, but the area is so far north (and west in its time zone) that the sky still hadn’t fully darkened.
After the main show has finished, private citizens produce their own displays up and down the beach.
A Visit to Albion Equestrian Center
Albion College’s Equestrian Center sits on 340 acres near the outskirts of campus. In addition to fields and paddocks, the manor house of the land’s previous inhabitants sits on a nearby hill, overlooking the goings-on.
The facility has a lot of hay storage.
Inside the facility, the region’s Pony Clubs were holding a rally. This particular pony looks pretty surprised to be finding themselves in the wash stall.
Suburbs Outside Denver I
Waaay off in the distance, beyond the un-grid of this subdivision, is downtown Denver. Beyond that are the Rocky Mountains. That sense of being sort-of-near spectacular sights while still being trapped within cul-de-sacs is one that I expect is pretty common to people who spent some amount of their childhood living within such developments.
Devon Horse Show 2022 Mega-Post
Decaseconds may have begun as a photo-a-day website, but I occasionally like to break our rules and bring a mega-set of images for full immersion in a surreal event.
In this case, that event is the 2022 Devon Horse Show—a folded-together hyperspace of top-tier English riding and county fair inside an otherwise-upscale residential neighborhood outside Philadelphia. That overstuffed experience is best captured in this image of riders warming up in front of a Ferris wheel.
“Devon blue” is a lovely, light-blue shade that’s covering almost every surface at the show.
The small amount of space means the spectators are close to the action.
The warm-up ring and storage areas are likewise squeezed in amongst the barns and area homes.
In spite of the odd setting, the same special moments of human-horse connection still remain.
The maroon barns seem an… odd choice… in combination with Devon blue.
This rider got the same color-choice memo the seats did.
The warm-up ring is a place for more than just warm-ups; a lot of conversations seem to fit well into its edges.
Though the show occurred over Memorial Day, unseasonably cool weather kept many riders in winter jackets.
When I say that the horse show is taking place in a residential area, I’m not kidding: the gray house just behind the bands in this shot is a private home, outside the horse show. Everything is happening in a tiny space.
This shot doesn’t have anything profound to say beyond a bright explosion of the importance of water to horse shows: from the drinks in riders hands to the water used to keep rings from becoming dusty nightmares.
A moment of rising energy in the warm-up ring.
Jumper divisions produce some dramatic images, whether in profile…
Or three-quarter view.
This view again highlights how close the stands are to the action. Off in the distance, the concession area is also visible beyond the fence.
Dramatic jump shots are most easily obtained when the photographer is practically under the jump.
The high rise of the stands also opens new opportunities to capture horses from above, as in this shot of warm-up ring traffic.
Riders waiting to compete (or recently finished) relax in the stands.
Another view of the warm-up ring and the local homes and businesses just beyond.
Jumping must be different with such a large and visible audience.
Grays match well with bright orange jumps.
None of this would be possible without the hard work of the jump crew.
A happy face after a solid round.
Before an under saddle, many riders crowd the in gate.
Another member of the jump crew, enjoying the weather and company.
The under saddle appears chaotic to an outside observer…
But those riding are focused.










































