Torrent

This torrent of water is, if you can believe it, the Raquette river at a low point. (The gates of the dam up-river would be opened a week or so later, burying this area under an extra blast.) The primal force of a waterfall just calls for you to stick your hand in it—if you’re brave enough.

Torrent

Canadian Death Star

The Ottawa Convention Centre’s fantastical facade of fenestration is a lovely example of the way a pattern of triangles can be assembled to form all sorts of other surfaces with complicated geometries. From the standpoint of symmetry and group theory, it’s quite elegant; from the standpoint of a passer-by on the street, it seems a bit sinister.

Canadian Death Star

Lonely in Tupper Lake

This tiny island sits in Tupper Lake’s appropriately named Rock Island Bay, amid this quintessentially Adirondack-y landscape of rolling hills and coniferous trees. This particular island has always been notable to me because of the degree to which it aligns with my boyhood ideal of “where to hide out.” Swimmable, but just barely for a 10-year-old, from the shore. A tree for the barest shelter and a twig, now and then, from which to craft a fishing hook. When the day of adventures is over, a little island like this one would be just big enough for a boy-sized lean-to for my childhood self. Wouldn’t that be paradise?

Lonely in Tupper Lake

The Fall and the Pool

A year ago, I stood atop this waterfall in the corner of Connecticut, relaxing and hiking in the last few days before I traveled north to Canton to begin the faculty life. There are three things that this image captures:

  • So many waterfall pictures use a long exposure to smooth the water into some blurry, surreal, Platonic ideal of flow. The effect might be pretty, but that effect is also a lie about the true experience of the crashing and splashing. Let’s get some spray in here!
  • Poetically standing atop a waterfall in a wood, with a calming pool nearby, seems to me less a cliché than something that is consistently authentic across the American experience.
  • Nostalgia may power a lot of my images, but it’s a force that only works retroactively. I would feel very different about the image if I’d promptly slipped and trashed my camera. Can that “dodged danger” exist within the image itself?

The Fall and the Pool