HDR Photography
The entrance to a Shinto shrine is normally marked by a torii. The posts on this cross country course at St. Lawrence University coincidentally share a similar structure with torii; I wonder if the American variety shares any of the spiritual properties?
Spring is late to the North Country, and though the snow is gone and the homes have (mostly) survived, plant life hasn’t yet surpassed the “first hints of green grass” level. There’s nonetheless a certain crunchy, dusty beauty to the sunset now—one that is nicely offset by the glossy reflections from window panes.
On those special nights, when ice crystals align correctly in the atmosphere, atmospheric optics get a bit crazy and a sun pillar like the one here appears.
Though, to be honest, even the Rayleigh scattering that makes the sky blue is crazy to begin with. The strange behavior of light and matter (thanks, Richard Feynman!) never ceases to amaze me.
I’ve always been fascinated by the American colloquialism of calling any feed store an elevator. (Though Canton does have a larger grain elevator of its own, as well.) When the sunset sky is at its most glorious, reality highlights the hyperutilitarian aesthetic of a working building: it has to be painted some color, so it might as well be post-war pastels.
David Lynch brings an edge of dark menace to his films; I can still remember the first time I saw Blue Velvet and felt the crisp edge of real and unreal disintegrating. In particular, the director’s visions of Small Town America and the underbelly of that beast (in Blue Velvet and Twin Peaks, particularly) felt notable in “downtown” Canton last week. With the sky aflame and neon lights in every window, the scene was about 15 minutes away from some Lynch-level insanity.
On a chill and cloudy afternoon, the sky hangs low over Berkeley and Oakland. Highly textured red tile roofs, ionic columns, industrial air handlers, all separated from the “mundane world” by a wall of trees: are these the “layers” of the Berkeley experience?
The North Country is still entrenched in winter. Maybe it always will be, for all I can tell. The roads are the salt-bleached bones of the once-living community; all we have left now is snow and storms and road-bones.
I was able to grab this shot while traveling from a conference near Innsbruck. That part of the world really is something to see, it is exactly as picturesque as you might imagine.
I’ve posted before on the strange properties of Berkeley and the Bay Area: the condensation of nature and suburb and weird architecture and intensity urbanity that compresses human interest and life into a tiny area. This high-density material seems to deform the very fabric of space a time, and make the distance of a few miles seem like a light year and the time of a decade seem mere moments. This photograph captures the folding and crinkling as it happens: crunch clouds, sharp trees, an array of buildings from multiple Berkeley colleges within the University, the stretch of Telegraph Ave. and the tiny shapes of Oakland (at the far right) in the distance.
Another spectacular Seattle sunset over Puget Sound and the Olympics, this time from Magnolia’s Discovery Park. This made more spectacular by the fact that it was the dead of winter and the vista was only marred by some wispy clouds and just the lightest of hazes.
It was a typical PNW overcast winter day when I took this shot of the Fauntleroy ferry terminal from Lincoln park in west Seattle. There’s something very characteristically “Seattle” about this whole scene for me, stirring up old happy memories for me.
November snow can’t hold the title “unseasonable” in Canton, New York, but it adds a gentle blanket to the campus, just the same. The soft dusk ceiling of pastel clouds and the quiet campus converge at the end of the day.
Where earth meets sky at the edge of the horizon, the foothills of the Adirondacks oscillate under the autumn colors and I use increasingly baroque adjectives to describe the North Country.
With dusk arriving earlier and earlier each day, I feel that the time is right to extoll the glory of clouds stretching off to an infinite (or at least periodic) horizon and the first hints of yellows and oranges in the sky matching the hues of the trees.
On the dawn of SLU’s homecoming weekend, the sky was filled with appropriately dramatic clouds and the campus was dotted with all sorts of exotic temporary structures. (Or really only one sort: tents.) The attraction of a liberal arts campus on a crisp autumn weekend jumps from the screen.
Decaseconds 