Maximum Tarmac Curvature

Just how curvy does a road have to get before it’s too curvy? Though opinions will vary, I’m sure, I have to guess that, from a civil engineer’s perspective, the Palms to Pines Highway must be pushing the limits.

Maximum Tarmac Curvature

Trilogy Panoramas

Drone panoramas have really opened up the kinds of images I can capture with a light, fixed-focal-length-lens drone like the DJI Mini 3 Pro.

Trilogy Panorama I

These panoramas from Coachella Valley, covering the Trilogy subdivision and its adjacent golf course, capture a dramatic expanse of sky and wet, reflective surfaces following a rare rainstorm.

Trilogy Panorama II

The New Bombay Beach

Like a full-time Burning Man, Bombay Beach shifted from its origins as a sort of “California Riviera” in the 1950s to something with more the feel of an artists’ colony. The town’s little grid of streets amid the emptiness of the desert valley brings to mind open-world video game maps, but the eclectic nature of the beach itself makes reality (as usual) far more interesting.

The New Bombay Beach

Visiting the Swing Set

One of my best images (and I do mean best) captures a swing set adrift in the Salton Sea, seemingly separated from time and space. While my first worry was that an aerial view of the swing and its setting might remove some of the magic, I’ve realized that the opposite is true. The merging of sea and sky into a single cloud-graced expanse make even the mundane array of vehicles on the shore look parked at the edge of forever.

Visiting the Swing Set

A Trip Back to Berkeley on the First Day with a New Camera

Scenery of Berkeley’s campus from Oppenheimer had me looking back again to my RAW files (as I’ve done recently) and finding exceptional images that benefited from my evolution in processing skills over the past decade. This particular December 2012 day marked my first walk to work with my then-new Nikon D7000, and so it was a moment in which I was viewing my quotidian surroundings through a literal new lens.

The light shining down on the little bridge over Strawberry Creek to the Faculty Club, for example, is a far more interesting image to me as a memory than it was at the moment I first processed these in 2012.

Quiet Bridge on Busy Campus

Quiet monuments, dappled by sunshine, feel different from a decade away.

Base of the Campanile

Big, dramatic, and green are the themes of this bridge.

Concrete Bridge and Arch

I was struck by how many portrait-orientation shots I had initially bypassed. The curving stairs in front of Latimer Hall always looked charming beneath late-autumn foliage.

Tree Over Stairs

These stairs down to Hildebrand Hall’s D Level were my typical path to my office. They were about as intimidating in real life as they look in this picture—squeeze between the edges of different intersecting buildings and utilities pass-throughs.

Stairs to the D Level

Leaving again at the end of the day, the afternoon sun on Latimer’s facade is starting to shift to an oranger hue.

Evening Light on Latimer

The trip past the architecture school wasn’t one I typically made by 2012 (I moved from an apartment south of campus to one on the west side), but the light on its concrete architecture wasn’t to be missed.

Gold Light on Architecture School