HDR Photography
Flying a quadcopter feels a heck of a lot like flying did in my childhood dreams. Nap-of-the-earth flying reveals new textures and geometries that were invisible from the group. I was perhaps most surprised to realize how bright a road can be, relative to dense summer foliage.
Winter arrived in the Northeast with maximum attitude: from 66ºF on Saturday morning to a full-on blizzard by Sunday. In Salisbury, CT, home of ski jumps and wood-lined hotel bars, we got to experience the odd dynamic of watching Porsche and Mercedes SUVs claw through the snow. The classic White Hart hotel was looking its best.
I tested my DJI Phantom 3 Advanced in the post-storm conditions. Almost-freezing, windy conditions didn’t have an impact on its flight performance, but the gimbal didn’t seem too thrilled. Some of its smooth elegance was lost… Or maybe it was just the wind.
Without a nearby Interstate, materials move through the North Country along Route 11 in much the same way I imagine they did pre-1956. The Cascade diner and the Buccaneer Lounge beneath it, glowing with neon lighting on the right side of the picture, date from the early Interstate era. When I visit them for a burger and I beer, my mind always wanders to Eisenhower and Kennedy and the other presidents who presided over the development of the Interstate system. Highway access remains on the mind, I’m sure, of ever person who commutes in and out of the North Country, too.
A central theme to my photography is visualizing the progressive gradient from dense urban areas to natural settings. Some of my favorite images are cases where that gradient is particularly abrupt or unexpected. Until I began flying quadcopters, I didn’t expect that I’d be able to find the same transitions in the North Country, with its much more homogeneous rural structure. Here in Canton, however, the juxtaposition of apartment towers, shops, and bridges with forests, islands, and farmland creates a similar effect. The North Country supports this cultural difference between folks who live “in the village” and those who live “out of the village”.
A whole new point of view on the shadows of Gunnison Chapel across the quad. Much like my last post, I love the intentional alignments of the designs.
When St. Lawrence’s newest dorm, Kirk Douglas Hall, was designed, its dramatic glass bridge was brought into alignment with the Avenue of the Elms and gap between Richardson Hall and Gunnison Chapel. When the sun rises over the North Country landscape, I am drawn to the focused geometry of the landscape. (And glad I awoke to fly my quadcopter.)
The weekend marked a Hunter’s supermoon—one that also coincided with the moon rising along the axis of Main Street in Canton, New York, as well as coinciding with the local period of peak foliage. Can one small town handle all of those events? My quadcopter and I were on hand to investigate. From 100 meters up, Main Street looked just about perfect. You can spot the awning of the Chinese restaurant and the movie theater that I’ve photographed previously, but the same structures take new meanings.
Autumn in the Northeast has its particular look and feel, but it comes quite a bit earlier to the North Country than to elsewhere. Canton, New York is looking its most charming and just over the horizon, Ontario, CA is doing the same.
My background as a chemist, rather than a biologist, is most apparent when words to describe my environment fail me. I can discuss fall colors and grassy areas near streams, and I understand the molecules involved in producing both structures at the microscopic level, but I’m bereft of the ability to precisely identify the transition occurring here.
The Sun rises over the Adirondack foothills and St. Lawrence’s Elsa Gunnison Appleton Riding Hall. I was up early to fly the Phantom for a very particular reason: This weekend marks Derby Day, the completion of the 2016 St. Lawrence Summer Horse Show Series. Spectacular riding is on tap for Saturday!
After classes end for the day, there’s still an astonishing amount of activity on St. Lawrence’s campus. My favorite detail about this picture (other than its, “Hey, I can see my house from here!” vibe) is the chapel tower sneaking over the horizon. It’s mirrored on either side by a water tower and a cell tower that are, uh, a bit less dramatic.
Cabins and homesteads have accompanied the Grasse River through the North Country for hundreds of years. Photographing those structures from a GPS-stabilized quadcopter hovering a meter off the water’s surface? That’s kind of new.
The lights mark the border between forest and manicured athletic fields. In real life, crossing the border means risking ticks and perhaps a run-in with a deer; in the realm of science fiction, I can imagine much more terrifying consequences from crossing the border from light into darkness as the sun sets.
St. Lawrence’s campus includes far more natural settings (and transitions far more quickly to them) than any place I’ve previously experienced. The Wachtmeister Field Station is a field laboratory that feels like a “candle in the wilderness,” despite being within (drone) sight of campus.
Coming to St. Lawrence, I was not prepared for the amount of forest space on the school’s 1000-acre campus. Flying above the Grasse River, campus looks wild and vaguely Nordic. I’ve never run into a frost giant on the way to work, but now I’m sort of wondering whether I need to prepare for that, too.
Decaseconds 